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...then back again. Inexplicable characters dashed in and out of the ballet, including copulating snakes and a tiny girl equipped with brass breastplates, whose face is blue-black on one side, chalk-white on the other. The production's one real merit: the sensuous dancing of dark-haired Violetta Elvin as Tiresias the Woman, and especially the moment when her partner lifts the ballerina and moves her across stage as she takes huge, slow strides as if she were running in a dream landscape...

Author: /time Magazine | Title: Music: Pirouette & Pageantry | 9/26/1955 | See Source »

This week the company began its tour with a four-week visit in Manhattan's packed Metropolitan Opera House. Famed Ballerina Margot Fonteyn, fully recovered from a six months' bout with the aftereffects of diphtheria, headed the cast again, and among the lesser stars were Violetta Elvin, Nadia Nerina, Rowena Jackson, Michael Somes and a promising newcomer to the troupe, Svetlana Beriosova. Opening-night number: a full-length version of Tchaikovsky's Swan Lake, with sparkling new costumes and scenery and changes in the choreography which lengthened the 58-year-old masterpiece to a full four acts...

Author: /time Magazine | Title: Music: Sadler's Return | 9/21/1953 | See Source »

...will probably enjoy La Traviata if you can ignore the unsynchronized sound track and the incongruity of narration in English and singing in Italian. Gino Mattera, as Alfredo, is a fine actor with a big, impressive voice. Nelly Coradda, in the juicy role of Violetta, is devastatingly feminine. The settings are all effective, particularly the sparkling fountain where Violetta and Alfredo first acknowledge their love. Except for a few excessively sentimental scenes, the movie is a forthright attempt to reproduce the great moments of a great opera...

Author: By Lawrence R. Casler, | Title: Traviata and Trovatore | 3/11/1952 | See Source »

...career, it is that she may get too many soubrette roles. She knows that her voice has not enough weight, dramatic color and power for such heavyweight parts as Aïda, but some day she would like a try at such lyric roles as the consumptive courtesan Violetta in La Tramata, or the heart-wrecker, Manon. Bing has promised her a Mimi (the consumptive heroine of Bohème) next month...

Author: /time Magazine | Title: Music: Soprano from Spokane | 12/3/1951 | See Source »

...Sleeping Beauty. There was one Russian dancer: Violetta Elvin, but she is married to a Briton who brought her out of Moscow after World War II. The two stars with the brightest shine were born in Surrey and Fifeshire: dark-haired Margot Fonteyn (TIME, April 15, 1946) and red-haired Moira (The Red Shoes) Shearer. The leading male dancer, Robert Helpmann, is somewhat of a foreigner-from Australia. Chief Choreographer Frederick (Cinderella, Facade) Ashton was born in Ecuador of British parents. Some of the ballets had unmistakably British subjects, among them The Rake's Progress (De Valois) and Hamlet...

Author: /time Magazine | Title: Music: Ballet in Force | 10/17/1949 | See Source »

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