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Harvard-Radcliffe Orchestra. Featuredwill be violinist Scoot Yoo and cellist AndresDiaz. The program includes Voss' Scherzo forOrchestra, Brahms's Concerto for Violin and Cello,and Beethoven's Symphony No. 7. Sanders Theatre, 8p.m. $5, $7 and $9 for students...

Author: NO WRITER ATTRIBUTED | Title: At Harvard Daily Entertainment & Events | 10/28/1993 | See Source »

...whole, Chase's rendition of the Sonata wascompetent but uninspired; she did not seem toderive any personal significance from the work orendow it with any of her own life story. Lee, onthe other hand, gave some indication that shecould have performed more dynamically, but was toopreoccupied with following the violin part to doso...

Author: By Bernadette A. Meyler, | Title: Not Even A Twist Or Turn | 10/21/1993 | See Source »

...hand in order to play certain notes,and he desired that the entire trio maintain acorrespondingly muted timber. However, even whenmuted, the passion of Brahms' compositions cannever be suppressed. The trio which performed inSanders, Robert Rauch on horn and Mihae Lee onpiano, with, of course, Stephanie Chase on violin,managed the impossible. The first movement, markedAndante and filled with yearning two-note slursand melodies, was taken so slowly that it lackedall coherence; as if this were not enough, Rauchactually ritarded at the end of all his solos.Even the climax was brutally vertical, each notepounded into the stage with no forward...

Author: By Bernadette A. Meyler, | Title: Not Even A Twist Or Turn | 10/21/1993 | See Source »

...chaos and violence expertly rendered by Serrault are reiterated, throughout the film, by haunting music and startling images. Shots fire in a posh Paris arcade. A man plays a saw with a violin bow. Naked men chase women in Gestapo uniforms. Focusing relentlessly on objects of horror, the camera captures the greenish grey tone of the film and uncovers the ghoulishness of even the most serene images. After a Jew is beaten and taken from his home, the picture-perfect image of the house of the Jew and the house of his neighbor standing identical, side by side, underlines...

Author: By Caralee E. Caplan, | Title: Petrifying `Petiot' | 10/21/1993 | See Source »

Maybe answering the question would simply satisfy some kind of background check. Russians always ask me why I'm called Natasha. I used to answer that my mother just liked the name, but that was never sufficient. Now I respond immediately that my ancestors used to play violin in Odessa (one ancestor, name unknown, a long time ago); they nod, satisfied...

Author: By Natasha H. Leland, | Title: Where I'm Coming From OK, AR, IA, MA... | 10/21/1993 | See Source »

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