Word: violine
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...tone and fiery passagework. Chung is a performer of great interpretative range and insight who can light up the night with a blazing Tchaikovsky concerto, probe the intimate, sorrowing mysteries of Alban Berg's twelve-tone essay in the form, or tackle Sir Edward Elgar's king-and-country Violin Concerto with equal aplomb. She also plays in a chamber trio with her sister Myung-Wha, a cellist, and her brother Myung-Whun, a pianist now making a career as a conductor...
...burgeoning contingent of Asian performers also boasts the tiny 16-year- old Japanese prodigy Midori (born Midori Goto), a student of noted Violin Teacher Dorothy DeLay at Juilliard. Midori's robust tone and strong technique -- and her uncanny composure in the face of two broken strings during her performance of Leonard Bernstein's Serenade -- stunned a Tanglewood audience on a muggy summer night two years ago at a Boston Symphony concert led by Bernstein...
Another DeLay student, the sloe-eyed, Roman-born Nadja Salerno-Sonnenberg, has had a rapid ascent since her 1981 victory in the Naumburg International Violin Competition. Salerno-Sonnenberg, 27, is a mediagenic performer hailed by some for her intensity ("the Edith Piaf of the violin," a colleague has called her) and scorned by others for the eccentric collection of tics, twitches and transports that form her onstage persona. But there is no gainsaying her vivid stage presence, or the enthusiasm with which she imbues her performances. Other noteworthy women violinists include the Kavafian sisters, Ani, 39, and Ida, 35, both...
...hard-won proposition, the product of years of painstaking study and practice. Despite the evidence of such performers as the pathbreaking American Maud Powell around the turn of the century or the brilliant Vienna-born Erica Morini, now 84 and in retirement, it also holds that the violin is properly a male preserve. But with age comes maturity, not mastery, and instruments are no respecters of gender. Although still young, today's crop of women violinists can already be judged on accomplishment rather than promise...
...festival offers some discoveries, however. Leningrad Composer Andrei Petrov's 1980 Violin Concerto is a sturdy showpiece that picks up momentum from its opening recitative to its blazing vivo finale; it got an otherworldly performance from Soloist Sergei Stadler, a baby-faced firebrand who shared first prize in the 1982 Tchaikovsky Competition with Viktoria Mullova. Sergei Slonimsky's sprightly two-minute Novgorod Dance -- hellzapoppin', cossack- style, ending with the clarinetist, trombonist, cellist, pianist and conductor all merrily hoofing it around the stage -- bespeaks a composer with both an ear and a sense of humor. Best of all is Schnittke...