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...street performers from all over the world gravitate toward Harvard Square during the summer months to play music, juggle fire or do a little magic. "It's so great to sit here, and out of the corner of my eye see someone smile," says Carol Hetrick, who plays violin along Brattle St. to supplement her income as an administrator at the Longy School of Music. "It makes it all worthwhile...

Author: By Daniel B. Wroblewski, | Title: Popping Strings For Profit | 7/23/1985 | See Source »

Pamela Ambrose and Carol Hetrick (cello, violin) -- Hetrick is playing to earn money so she can attend the Harvard Graduate School of Education in the fall. But like many Harvardians, she's having her doubts. Despite comments from her colleagues at the Longy School of Music, she continues to play along Brattle St. and in the Harvard Square and Government Center T stops...

Author: By Daniel B. Wroblewski, | Title: Popping Strings For Profit | 7/23/1985 | See Source »

Nuala Ni Chanainn (violin) -- She plays baroque music every other week with Brian Clague (violin), usually on Tuesday. They prefer to play inside the Coop. Originally from Ireland, Chanainn, who still speaks with a pronounced Irish accent, also plays folk music with a group called Amarcord (2 violins, accordion). Clague says he plays because "there's a feeling of putting something into the world that's good...

Author: By Daniel B. Wroblewski, | Title: Popping Strings For Profit | 7/23/1985 | See Source »

...legacy, but fresh material keeps coming. Two years ago, Peter Martins drew on her restraint and musicianship in a delicate work, Rossini Quartets. Last week at the New York City Ballet, Jerome Robbins weighed in with a really fat part. In Memory of . . . , set to Alban Berg's elegiac Violin Concerto, is a highly dramatic work, more openly emotional than Robbins usually allows himself to be. In the role of a dying girl, Farrell adds another heroine to her gallery of lost ladies...

Author: /time Magazine | Title: Dance: Toward Elysium | 6/24/1985 | See Source »

Adventuresome audiences that had made the pilgrimage downtown to Leo Castelli's influential art gallery on West Broadway in SoHo, for example, might encounter minimalist sculpture by Don Judd and Richard Serra or hear Glass's new sounds in concert. Near by, Performance Artist Anderson was playing her violin on a street corner while wearing ice skates atop a melting block of ice. Composer Steve Reich had already experimented with out-of-sync tape loops in pieces like Come Out; Choreographer Childs had created her early works, like Street Dance. "No one organized an official group or issued a manifesto...

Author: /time Magazine | Title: Music: New York, When It Sizzled | 6/3/1985 | See Source »

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