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...unfortunate bassoon has in recent times been much neglected as a solo instrument. David Sogg's performance of Mozart's B flat major concerto, K. 191, showed that this neglect is unwarranted, while providing a welcome respite for a musical world saturated with concerti for piano or for violin. It is unfortunate that more people did not take advantage of this nearly unique opportunity to hear an excellent bassoonist in a solo context...

Author: By Forest L. Reinhardt, | Title: Victimized by Imbalance | 12/6/1978 | See Source »

...wrote for Beauty and the Beast received a skillful treatment from the upper woodwinds and contrabassoon. But dynamic imbalances proved frustrating here as in the concerto. Too often the less important lines were simply not sufficiently subordinated; exquisitely played solo passages in the woodwinds in 'Laideronetter,' and for the violin and viola in 'Le jardin ferrique,' were scarcely audible...

Author: By Forest L. Reinhardt, | Title: Victimized by Imbalance | 12/6/1978 | See Source »

...Along with the haunting words ("Such sad dreams/Troubling my sleep with that howl/Farewells must be but au revoirs"), and a charming french cabaret flavor, "Pronto Monto" is all variety. There's a brief transition to disco at the end of the song, French disco, and mysterious strains of mandolin, violin and horn floating in and out of the music. "Pronto Monto" embodies everything good about the McGarrigle sisters, especially because the words briefly recall the sister-conscious character of their old greats...

Author: By Suzanne R. Spring, | Title: From Canada With Love | 12/4/1978 | See Source »

...operas. Its beauty lies in its miniature, jewel-like detail and an almost translucent texture that is best appreciated in smaller concert halls. But its simple air is deceptive: chamber music is murderously difficult to play well. If a performer is too flamboyant, he upends the others. If one violin is off pitch, all instruments sour. Each line is naked, each player dependent on the others to "breathe" together, in order to get the right pitch, intonation and rhythm...

Author: /time Magazine | Title: Music: A Mellow Revolution | 11/20/1978 | See Source »

Tashi (Tibetan for good fortune) is the most radical and freewheeling of the young groups. An unusual combination of instrumentspiano, violin or viola, cello and clarinet?Tashi adds or subtracts members and friends for various pieces, which range from Schubert to contemporary Japanese Composer Toru Takemitsu. A Tashi concert is like a jam session of pros: the music sounds both spontaneous and polished. The four have recorded a superb version of Messiaen's Quartet for the End of Time, one of the few major works written for their mix of instruments...

Author: /time Magazine | Title: Music: A Mellow Revolution | 11/20/1978 | See Source »

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