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...appearance, wrote scribes of the era, was "cadaverous," and there was something so supernatural about 19th century Violin Virtuoso Nicolo Paganini "that one looked for a glimpse of a cloven hoof or an angel's wing." Onstage, the maestro would often contort his body into bizarre stances. His tours de force, like playing a pizzicato accompaniment with his left hand while bowing with his right, prompted audiences to whisper that Paganini was in league with the devil. But alas, he was merely mortal, according to an article in the Journal of the American Medical Association. The violinist, writes...

Author: /time Magazine | Title: People, Jan. 16, 1978 | 1/16/1978 | See Source »

Monday, January 16: Concert: E. Borok, Violin and A. Wolf, piano. 8:30 pm, admission free...

Author: NO WRITER ATTRIBUTED | Title: What This Month? | 1/12/1978 | See Source »

Friday, January 27: Concert: Cambridge Chamber Players with Joseph Silverstein, Violin and Andrew Wolf, Piano, 8:30 pm, admission $4, $3 with student...

Author: NO WRITER ATTRIBUTED | Title: What This Month? | 1/12/1978 | See Source »

...next work, Max Bruch's Violin Concerto No. 1 in G minor, the orchestra was joined by soloist Stephen Chan. The concerto includes the traditional three movements; the first has something of the quality of a dramatic dialogue, alternating the tragic declamation of the solo instrument with the orchestra's solemn thunder. Chan played with technical elan but a rather lifeless tone that occasionally made it hard to distinguish him from the rest of the orchestra. But he was more in command of the languorous Adagio which followed. This exquisite lamentation is less a dialogue than a duet, with...

Author: By Jurretta J. Heckscher, | Title: Playing an Eclectic Blend | 11/1/1977 | See Source »

...performance was truly gorgeous--all moonlight and velvet shadow. The chorus blended into a cool wave of sound, plumbing the music's dreamy depths without sacrificing a sparkling diction. The soloists, particularly soprano Ellen Burkhardt, were uniformly fine. The orchestra matched them in ethereal luster as a glossy violin solo, the ripple of a harp, and a punctuation of prancing fanfares closed the evening in shimmering enchantment...

Author: By Jurretta J. Heckscher, | Title: Playing an Eclectic Blend | 11/1/1977 | See Source »

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