Search Details

Word: violine (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...crispness of tone is swallowed by the sugar plum violin in the background. And though Eagle member Don Henley and J.D. Souther harmonize pleasantly with Browne, they cannot salvage the hackneyed words...

Author: By Hilary B. Klein, | Title: Browne's Bobbling | 12/10/1976 | See Source »

...kindness in my baby's eye." And the music functions only as a background motif for Browne's poetry, which isn't really worth spotlighting. Drummer Jeff Porcara could easily be pounding away with one hand tied behind him, and pianist Craig Doerge is no Rick Wakeman. Once the violin is added, the song's mushiness begins to resemble overcooked cream of wheat...

Author: By Hilary B. Klein, | Title: Browne's Bobbling | 12/10/1976 | See Source »

Hansen's doctors say that if he ever wants to play the violin again he'll either have to develop muscular chest hair or be prepared to bow with steel hooks...

Author: By N. NASH Eberstadt, | Title: Trans-Sexual Athletes: Battle of the Chromosomes? | 12/9/1976 | See Source »

...concert opened with an old warhorse, "Autumn" from Vivaldi's The Seasons, which, as interpreted on Saturday night, justified its popularity. The piece featured Shumsky as violin soloist and conductor. The orchestra was extremely cut down, and resembled a sixteen piece Baroquesized chamber ensemble. The choice of music provided an excellent vehicle for Shumsky's awe-inspiring technical capability and his power to elicit clean, solid tone. The accompaniment by the chamber ensemble, especially in the final Allegro, had a shimmering, airy quality--one that marks a thoughtful interpretation of Italian Baroque music. Michael Curry, in particular, carried the obbligato...

Author: By Jay E. Golan, | Title: On the Right Track | 12/8/1976 | See Source »

Equally convincing was the performance of the first four movements from Mozart's "Haffner" Serenade, K. 250. Again, Shumsky played a dual role as conductor and violin soloist. The work, Mozart's first great orchestral effort, retains both a light, chamber music coloration and a tendency toward a concertant style. (This style makes soloists operate in opposition to the orchestra...

Author: By Jay E. Golan, | Title: On the Right Track | 12/8/1976 | See Source »

Previous | 174 | 175 | 176 | 177 | 178 | 179 | 180 | 181 | 182 | 183 | 184 | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | Next