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...with Look came to a close two weeks ago when the jury in the second trial of his libel suit against the magazine voted 12 to 0 in his favor, agreeing that the article was substantially false and that it defamed Alioto. Thus vindicated, the ebullient, violin-playing mayor is now being touted as the California Democrat with the best chance of receiving his party's gubernatorial nomination in 1974, when Ronald Reagan's present term is up. A resume of his trouble and triumphs...

Author: /time Magazine | Title: PERSONALITY: Alioto's Odyssey | 11/13/1972 | See Source »

...expected, Balanchine made virtually no concessions to accepted Russian dance taste, which has been shaped by the 19th century-oriented Bolshoi and Kirov companies. Indeed, he offered some of the company's most abstract works, like his Violin Concerto (set to Stravinsky) and Jerome Robbins' Goldberg Variations (Bach), dances that eschew decor, spectacle and story line in favor of balanced and unbalanced compositions that are mod, sexy and athletic. The results were varied. The Georgians in their sunny Italianate capital, Tbilisi, responded more enthusiastically to those works than ballet-goers in Kiev and Leningrad. But more traditional Balanchine...

Author: /time Magazine | Title: Music: Homecoming | 10/23/1972 | See Source »

...Fromm's foundation with a week of special concerts, forums and workshops, which, for Fromm, were fraught with both the perils and joys of being a modern Maecenas. When members of the Boston Symphony rehearsed for the premiere of Fromm's latest commission, an electronically amplified violin concerto by Charles Wuorinen, they disliked the piece so much that they booed. When the Tanglewood listeners heard it, some of them booed...

Author: /time Magazine | Title: Music: Modern Maecenas | 8/21/1972 | See Source »

...point, the players retarded the tempo melodramatically, making the subsequent return to the more characteristic rhythmic motion of the piece seem awkward. In the second movement Haydn alternates sections of simple, broad melody (played in this case with a Brahmsian flavor), and mildly rhapsodic filigree (largely in the first violin part) which is given an ostinato accompaniment (sixteenth notes) marked both with dots and the written indication, "staccato." Only during the climax midway through the piece was this ostinato element performed according to the markings--elsewhere, these repeated notes were articulated in a smooth, 'lyrical' way. Thus the movement...

Author: By Stephen E. Hefling, | Title: Chocolate Sauce on Asparagus | 8/1/1972 | See Source »

...devastating musical and labor disputes. Although Gentele officially assumed his post only on July 1, he had been preparing himself by working on the premises for over a year, and already he conveyed the hope of a fresh, new era at the Met. He played both violin and piano, spoke five languages, was well versed in economics and politics (perhaps accounting for his flair at negotiating labor contracts), had considerable experience as an actor, and had directed movies, theater and opera. His style was cheerful and informal, which helped to ease some of the morale problems left behind...

Author: /time Magazine | Title: Music: The Greatest Loss | 7/31/1972 | See Source »

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