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...Philharmonia offered an intriguing contrast of styles, periods, and pieces. In the opening work, The Concerto Grosso, Op. 6 No. 1 of Corelli, Alexander Schneider, who conducted, doubled as principal violin in the concertino. The work went along smoothly, indeed brilliantly, but the wisdom of Mr. Schneider's decision to combine roles is dubious. Unfortunately, the orchestra had a tendency, especially in the first movement, to enter just a fraction of a beat behind him, a problem which would not have cropped up if he were not playing. Nonetheless, it was a fine performance, with especially good work by cellist...

Author: By Michael Ryan, | Title: Music The Philharmonia at Sanders, Sunday | 11/24/1970 | See Source »

...Oaks for their thirtieth wedding anniversary. It is a light, lively piece, charming and remarkably entertaining. The piece is particularly taxing on the brasses and woodwinds, and they performed beautifully. The Concerto deliberately parallels the third Brandenburg in many ways, especially in the opening theme and the three part violin and viola sections. But, although it parallels the Bach piece, it does not resemble it, nor is it based on Bach in the way that Lukas Foss's Baroque Variations...

Author: By Michael Ryan, | Title: Music The Philharmonia at Sanders, Sunday | 11/24/1970 | See Source »

Performing before an audience of 700 at the Théâtre des Champs-Elysées in Paris last week, Violin Virtuoso Jascha Heifetz completed the last segment of a taped, hour-long all-Heifetz TV show that will be aired in the U.S. in April. During a passage that the accompanying French National Orchestra played too loudly, Heifetz, 69, cautioned, "Softer, please, they want to hear me." An impressive standing ovation proved that he was absolutely right...

Author: /time Magazine | Title: People: Oct. 5, 1970 | 10/5/1970 | See Source »

...paddle steamer with high, spindly funnels lies composedly beached in a red desert. Saplings enclose it; years ago the river vanished. From a circus cage on wheels, a bearded paterfamilias glowers, serenaded by a man in tails (on cornet), a bus boy (French horn), a girl in evening dress (violin), and a child perched in a potted shrub, tapping on a drum. A scattering of vacant chairs inhabiting an empty, silent landscape marks the spot where a party died. Philip C. Curtis, 63, is possibly the only Surrealist now living in Arizona. But Surrealism is a term he uses "quietly...

Author: /time Magazine | Title: Art: Ghosts at Noon | 10/5/1970 | See Source »

Even in his disastrous New York period, Barbirolli made important contributions to music. Here he conducted several Britten premieres, including the Sinfonia da Requiem, and the Violin Concerto. Nonetheless, he could not control the orchestra as it needed to be controlled, and was left to return home, disheartened...

Author: By Michael Ryan, | Title: Barbirolli and Szell Masters of a Changing Art | 9/21/1970 | See Source »

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