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...director of the Boston Symphony, fell ill midway through a visiting concert, also at Philharmonic Hall. Thomas, the orchestra's new assistant conductor and Steinberg's understudy, took over after intermission and handled Strauss's familiar Till Eulenspiegel and Robert Starer's new Concerto for Violin, Cello and Orchestra with ease, poise and cool. Said the New York Times next day: "Mr. Thomas knows his business, and we shall be hearing from him again...

Author: /time Magazine | Title: Music: Bird with Inward Fire | 9/14/1970 | See Source »

...securities business in a roundabout way. Born in Brooklyn to parents in what he calls "less than affluent circumstances," he moved to Manhattan as a child and grew up in a flat over the Stage Delicatessen on Seventh Avenue. At the age of five he began to practice the violin and almost took up a career as a musician. His formal schooling was a sometime thing: he spent eight to ten hours a day playing the violin and three hours a week with a tutor who came to the Stein apartment. "I learned a little math and I read...

Author: /time Magazine | Title: Business: Change and Turmoil on Wall Street | 8/24/1970 | See Source »

...symmetrical, very mature Bartok, composed in 1939. It's movements, Allegro non troop, Molto adagio, and adagio assai. are quite transparent, the first a rough sonata form, the second consisting of three figures, the first identical to the last, and the third a rondo. The amazing virtuosity of the violin sections was made abundantly clear in this work, especially in the third movement...

Author: By Michael Ryan, | Title: Music Kirchner at Sanders | 8/7/1970 | See Source »

Photographers swarmed around Mia Farrow as her glamorous André Previn conducted the Los Angeles Philharmonic and Jack Benny played Mendelssohn over the phone. Still, Isaac Stern more than held his own at his 50th birthday celebration. His rendition of the Brahms violin concerto was the hit of a gala at the Hollywood Bowl. At supper afterward, his observations ranged from philosophy ("Music is more important than musicians. The music goes on and on. All we can do is serve it honestly") to a pun inspired by Ogden Nash ("I leave no tone unSterned...

Author: /time Magazine | Title: People: Aug. 3, 1970 | 8/3/1970 | See Source »

Tuned Sky. Matisse himself was a violinist. He took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. The same violin in Music appears again, in precisely the same pose except now seen from the rear, in an amusing portrait that Matisse painted in Nice-maybe of himself at his hotel window, practicing. Friends assert that the hotel banished Matisse to a remote back room so that his playing would not torture other guests...

Author: /time Magazine | Title: Art: Matisse's Imprint Upon an Age | 7/13/1970 | See Source »

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