Word: violine
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Again, a preoccupation with subtle combinations of tone color informed the short piano pieces by Bertram Baldwin and David Behrman (a violin also entered Mr. Behrman's piece for a while). There were row structures, not so elaborate as Wolff's, but complicated enough to be hardly perceptible. The avant-garde leader Boulez would tell us that structure has gone underground. But does this subterreanean structure really give shape to a piece, or does it happen accidentally, or not at all? In a short composition like Baldwin's it is easier to give a sense of cohesiveness; this piece, rather...
...Scarlatti: Sonata in F for Recorder, oboe, violin and harpsichord (W); Stravinsky: Concerto for piano and wind instruments (D); Moussorgsky: Boris Godounov (Cap); Ravel: Sonata for violin and piano...
...Gluck: Concerto in G Major for Flute and Orchestra; Stravinsky: Concerto for Violin in D; Dvorak: Symphony #5 in E Minor. Op. 95; Gabrieli: Canzonas for Brass Choirs; Tchaikovsky: Romeo and Juliet Overture...
...Strauss, J.: Die Fledermaus Overture (ML); J.S.: Sonata #3 in E Major for Harpsichord and Violin (ML); Schubert: Symphony #8 in B. minor (D); Beethoven: Quartet #2 in G Major (ML); Shostakovitch: Concerto for Piano...
...Kallinikoff-Symphony #2 in A minor (Per); Bach-Chromatic Fantasy & Fuge in D minor (Per); Pergolesi-Stabat Mater (D); Mozart-Quartet #14 in G major (C); Bernstein-Age of Anxiety (C); Handel-Trio Sonata in E for Flute, Violin, Bassoon, Harpsichord (HSLP...