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...ambitious large-scale works were included on the program. The main problems here for the incipient composer are over-all form and stylistic consistency, plus the special difficulties involved in writing a slow movement (which often trips up even the best-established composers). Frederic Rzewski '58's Sonata for Violin and Piano was most successful in the fast outer movements. The first movement, in a modified sonata-form with a bit too much stop-and-go, adopted a Bartokian brutality and approach to dissonance; and the finale dared to end softly with an effective pizzicato and staccato section. Rzewski failed...

Author: By Caldwell Titcomb, | Title: Composers' Laboratory Concert | 3/20/1956 | See Source »

...remaining music on the program consisted of items on a smaller scale. John Austin '56 continued his laudable concentration on contrapuntal techniques in his Three Madrigals for flute, violin, 'cello and piano, and Five Fugal Pieces for two violins and viola. These pieces preserved his customary refined, conservative, low-voltage, post-Delius style--except the third of the latter group, which fell back into the style of Austin's teacher, Roy Harris. Even in the Madrigals, the linear emphasis extended to the piano parts, which maintained melodic interest at all times rather than just serving as harmonic background...

Author: By Caldwell Titcomb, | Title: Composers' Laboratory Concert | 3/20/1956 | See Source »

...clarinets and 'cello, and the second with an attractive arpeggiated piano background. It was a welcome relief, furthermore, to hear songs with the text set straight through instead of having the phrases repeated a dozen times. Thrown in for good measure were the four tuneful airs for soprano, violin, flute and 'cello that Addiss wrote for last fall's Eliot House production of The Tempest...

Author: By Caldwell Titcomb, | Title: Composers' Laboratory Concert | 3/20/1956 | See Source »

...Magic Flute, from the Queen of the Night's famously difficult coloratura (F above the staff) to Sarastro's well-deep basso (F below the bass staff). A group of four women students recorded the minuet from a Haydn string quartet, singing cello, viola and violin parts. One boy has recorded his rumbles and squeaks over a range of seven octaves, a young man has produced close to nine under Wolfson's tutelage...

Author: /time Magazine | Title: Music: The Omnitone | 3/19/1956 | See Source »

Symphony tonight will include Beethoven's Overture to Collin's drama "Coriolan," dances from "The Three Cornered Hat" by Falla (not to be confused with ecstatic Eleanor's Fellas), Dvorak's violin concerto in B minor, and Bohuslav Martinu's Sixth Symphony, which gets its premiere. Leonard Rose, soloist...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 3/17/1956 | See Source »

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