Word: violine
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...highlight of the evening for me was Allen Sapp's second Violin Sonata. The dry-tang texture of the first movement, caused by the conflict of harmonies between violin and piano, combines with the many melodies to give a very striking effect. Perhaps the finest moment in the piece comes in the carefully built-up climax of the second movement. Except for a few scattered parts, the writing throughout the Sonata is tight; the piece never seems too long for its contents. My only objection is to some of the bowing effects in the first movement, which don't really...
Trio No. 4 in D Major, Op. 70 (Adolf Busch, violin; Hermann Busch, cello; Rudolf Serkin, piano; Columbia, 6 sides). This trio ("The Ghost") is of lesser nobility- except for its fine misterioso slow movement -than his Trio No. 6, Op. 97 ("The Archduke"), but here it is splendidly performed. Recording: excellent...
...Haydn: Violin Concerto No. 1 in C (Isaac Stern, violinist, with string orchestra; Columbia, 6 sides). One of the most delightful, if not the most profound, of all fiddle concertos; cleanly, clearly and delightfully played. Recording: good. Symphony No. 88 (Philadelphia Orchestra, Eugene Ormandy conducting; Columbia, 6 sides). Also one of Haydn's most charming, but in the slow movement Conductor Ormandy drags where he should be warm and graceful. Recording: good...
...conducts like I do," which means with precision, drama, warmth and love. He had not known about Guido when he arrived in Italy for a visit last spring. He had slipped quietly in on a rehearsal in Milan, where his friend Violinist Nathan Milstein was rehearsing the Brahms Violin Concerto with the La Scala orchestra, and had been so impressed with the work of its Conductor Cantelli that he came back for a second time, then for the concert. Toscanini decided that Guido had been born to conduct...
...world's finest musicians have been able to present to attentive audiences music of their own choice whose special appeal would generally exclude it from the concert-manager system. Alexander Schneider's performances throughout the country, as well as at Harvard, of Bach's Six Snotaas for Unaccompanied Violin are examples of her impartial patronage. --Herbert P. Gleason