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Such a current, Philander thinks, could explain the unusual spate of El Ninos that marked the first part of this decade. Think of the cycle as one of the strings on the climate's violin, he suggests. "When something changes the tension on the string, the frequency of the vibration also changes...

Author: /time Magazine | Title: The Fury Of El Nino | 2/16/1998 | See Source »

...years, the set includes such highlights in the symphony's history as Otto Klemperer's masterly U.S. premiere in 1934 of the original, and now standard, version of Bruckner's Symphony No. 9; and the youthful ardor and easy virtuosity of Jascha Heifetz and Arturo Toscanini performing Brahms' Violin Concerto in 1935. The impassioned responsiveness Toscanini elicits from the orchestra demonstrates why his players held...

Author: /time Magazine | Title: Music: Glory from a Golden Past | 1/26/1998 | See Source »

...lyrical and propulsive performance of Chopin's Concerto No. 1 by Bruno Walter and Arthur Rubinstein, who, under contract to different labels, were never permitted to record together. There are David Oistrakh and Dimitri Mitropoulos in their nonpareil, rivetingly intense U.S. debut of Shostakovich's First Violin Concerto, and memorable farewells like the thrilling immolation scene from Wagner's Gotterdammerung in 1952 with Walter and Kirsten Flagstad in her last appearance with the Philharmonic, which had the audience applauding for 21 minutes. This set will have you applauding...

Author: /time Magazine | Title: Music: Glory from a Golden Past | 1/26/1998 | See Source »

...version of squeegee--one of his first jobs as a darkroom assistant involved wiping down prints as they came from the developing bath--or he gained it because, like a Ouija board, he could predict where the news would happen and get there first. For a while he played violin accompaniment in theaters that showed silent films. "I loved playing on the emotions of the audience as they watched," he once wrote--an interesting admission, since Fellig would eventually give up the fiddle but not his impulse to woo the crowd...

Author: /time Magazine | Title: Photography: Dames! Stiffs! Mugs! | 1/12/1998 | See Source »

Pratt began playing the piano at the age of six, the violin three years later and at 16 entered the University of Illinois, where he studied piano, violin and conducting, before moving to the Peabody Conservatory and earning diplomas in all three areas. It was as a pianist, however, that he seized the attention of the musical world. His kinetic style and distinctive personality stirred up a storm of critical raves and public interest...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: Interview With a Virtuoso: Pratt Discusses Life, Music, Glenn Gould | 11/21/1997 | See Source »

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