Word: violiniste
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...answer is that there is much more to conducting than just keeping time; though even keeping time in a complicated score isn't always easy. At any given moment the flute player or the violinist is concerned only with his own note, which the conductor must blend-in time and volume-with the playing of 100 others. And while concentrating on the notes being played at any given moment, the conductor must also have one part of his mind listening to the entire piece. He must be on guard not to exhaust prematurely, in a too early climax...
Brahms: String Quartet No. 3 (Guilet String Quartet; Vox, 8 sides). Brahms, writing of this unusually sparkling quartet to Violinist Joachim, boasted: "You probably did not credit me with such finesse." Performance: good; recording: fair...
...didn't actually sport a pair of slippers and a pipe, but Violinist Zino Francescatti acted very much at home. Instead of a fireplace, however, he had the audience in Carnegie Hall in front of him last week, and the Philadelphia Orchestra behind him. When he wasn't fiddling, he lolled comfortably near the podium, gestured familiarly to Conductor Eugene Ormandy, even stage-whispered to him during the concerto. "That was pretty good;" he would say to Ormandy, or "We got it that time...
...student hangouts in Paris' Latin Quarter, was the prize find of French Jazz Pedant Hugues (Le Jazz Hot) Panassie, who helped organize the festival. Panassié had been denounced in angry manifestoes for picking an unknown like Claude Luter to represent French jazz. Uninvited French big-timers like Violinist Stephane Grappelly (Quintette de Hot Club de France), after popping off in the Communist press, grumpily consented to appear at the festival's closing session...
...Violinist Robert Brink had just put his fiddle away after playing Hindemith's Sonata in E at Manhattan's Town Hall, when the Guilet Quartet moved in to play a Hindemith quartet. Next night, in Carnegie Hall, the Baltimore Symphony Orchestra marched through his Symphony in E Flat; three blocks away, Ballet Society danced The Four Temperaments-music by Hindemith. Next night, in Carnegie Hall, George Szell put his Cleveland Orchestra through Hindemith's Symphonic Metamorphosis on Themes by Weber. The critics, who usually find Hindemith dry as toast, found his Metamorphosis gay and charming. In Boston...