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Idei appears to be inspired by Morita, who years ago foresaw the integration of entertainment electronics hardware and software. Like Morita, Idei is cosmopolitan, speaking fluent English and French and favoring stylish suits. As a youth he dreamed of becoming a violinist but gave that up to major in economics at Tokyo's Waseda University. Idei is now Sony's guru, instructing engineers--his Digital Dream Kids--in the art of merging home electronics with information technology. "We're going to make the home much more exciting," Idei predicts...

Author: /time Magazine | Title: NOBUYUKI IDEI: PRESIDENT, SONY CORP.; TOKYO | 3/3/1997 | See Source »

Three brilliant virtuosos guaranteed the success of last Friday's Bank-Boston Celebrity Series concert. Leila Josefowicz, a violinist who has survived being branded a child prodigy, performed in two concertos. Andreas Haefliger, a Mozart specialist, was the pianist in another. Jaime Laredo, darling of countless Sony recording projects, conducted the Brandenburg Ensemble and joined Josefowicz as a soloist. All the repertoire was light and bright and ideally suited to the orchestra...

Author: By Matthew A. Carter, | Title: Talented Ensemble Makes for Good, Clean Fun | 2/27/1997 | See Source »

...national standard-bearer both he and Wilker envision. The Kennedy Center concert hall's acoustics are extremely poor, and the orchestra's playing is not much better. The most recent program that Slatkin conducted underscored both problems. A joyless, hurried reading of Tchaikovsky's Violin Concerto featured the prodigy violinist Sarah Chang, 16, who cluelessly bowled her way through the war-horse, leaving Slatkin and the orchestra to catch up as best they could. The Brahms Fourth Symphony was better, benefiting from the sturdy, muscular interpretation that the new maestro favors, but it still lacked the refinement that marks...

Author: /time Magazine | Title: MUSIC: ORCHESTRATING A REVIVAL | 1/27/1997 | See Source »

...occasion. It would be at least understandable if HRO had chosen the piece to spotlight three student musicians: the division of labor, and the relative simplicity of the solo parts, would make it ideal for students. Indeed, it should have been possible to find a student pianist, cellist and violinist who were more than equal to the task--concertmaster Salley Koo '97, for example, who was outstanding in the Shostakovich symphpony...

Author: NO WRITER ATTRIBUTED | Title: At Sanders, Not Quite Triple the Pleasure | 11/7/1996 | See Source »

Instead, the soloists were ringers: BSO cellist Martha Babcock, Boston Chamber Music Society violinist Lynn Chang, and pianist Luisa Vosgerchian, Harvard music professor emerita. The soloists were, of course, quite good, especially Babcock, whose lovely tone compensated for the poverty of her themes. Chang was, if anything, a bit too thin--though this effect may well have been due to Sanders' acoustics, which make it difficult to hear at the extreme edges of each tier of seats. Vosgerchian, meanwhile, was a beatific presence, smiling and swaying joyously throughout; even what appeared to be a nasty fall...

Author: NO WRITER ATTRIBUTED | Title: At Sanders, Not Quite Triple the Pleasure | 11/7/1996 | See Source »

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