Word: violiniste
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Otto found writing ideas everywhere. His fondness for roses blossomed into a book about the joys of that flower. His love for the piano led to a biography of pianist Glenn Gould. For years, Otto and former senior editor Ruth Brine, a skilled violinist, met regularly during the lunch hour to play duets. "We had three-sonata lunches," Brine recalls. She once dreamed that the sessions had exhausted all the music in the world, but Otto reassured her that that could never be the case. For Otto Alva Friedrich, there was always another sonata to play, another rose to cultivate...
That, according to Beausoleil's Doucet, accounts for the striking vocal style that marks Cajun music: a high tenor that must strain to be heard over the roaring accordion and droning fiddles. The protean Doucet, 43, is a virtuoso violinist, accordionist and singer who gleefully punctuates the French lyrics with the traditional shouts of "Oh, ya, yaie!" He is also an accomplished composer and scholar who has tracked the Cajun style from its origins in northern France through the songs of such 20th century Cajuns as Amada Ardoin and Iry Lejune. Together with his brother David and some friends...
...definitely a step in the right direction,especially for Harvard which has the artsfacilities but not the programs. You have to beselfmotivated to pursue arts here," said RebeccaL. Baumann '98, a violinist who plays with severaldifferent ensembles...
Nicholas Kitchen, the first violinist, immediately showed his fine command of dynamics in the opening melody, but his tone became a little strident, undermining the carefree quality of the movement in its recapitulation. He fortunately saved some of the stridence for the bold, personal statements of the second movement's Largo ma non troppo. In the cantabile section of the movement, violist Hsin'Yun Hwang offered solo playing of utmost sincerity with none of dryness that pervades chamber music today...
...without a true dance movement. The Quartet navigated the fugue impeccably. By employing a multilayered system of dynamics, the main voice always remained prominent while the others maintained the tension. But before the audience could be thrown into the hysterics usually invoked by middle Beethoven, the Hwang and second violinist Ruggero Allafranchini ushered in a flowing lyrical line that could only be Schumann...