Word: violins
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Dates: during 1900-1909
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...Souvoroff," Arensky 2. Suite, "Scenes Pittoresques," Massenet a. March b. Air de Ballet. c. Angelus. Fete Boheme 3. Valse from Opera, "Eugene Onegin," Tschaikowski 4. Overture, "Ondine," Alex Luoff 5. Contrastes de Gavotte, A. D. 1700 and 1900, Ed. Elgar 6. Overture, "Rienzi," Wagner 7. The Deluge, Saint-Saens Violin, Mr. Karl Ondricek. Organ, Mr. Snow. 8. Fantasia on "Manru," Paderewski 9. Prelude to the Opera, "Die Hexe," A. Enna 10. Overture, "Zampa," Herold 11. Waltz, "Morgenblatter," Joh. Strauss. 12. Tambour Battant, Massager
...Osgood, G. E. Stanton, J. L. White, W. Williams, L. Strauss; second mandolins--R. N. Smither, P. Harrington, J. Hinckley, W. Sabine, H. M. Holmes, W. B. Hawkins; third mandolins--L. Gilbert, L. A. Andrus, C. T. Wood, J. Warner; guitars--R. W. Beach, S. Titcomb, H. E. Rowley; violin--F. A. Pemberton...
...Tschaikowski a. Introduction, "La Fee des Lilas" b. Adagio, "Pas d'Action" c. Valse 4. Concert Overture, "In Bohemia," H. K. Hadley 5. Fantasia on "La Boheme," Puccini 6. Suite, "Henry VIII," Saint-Saens a. "Danse de la Gipsy" b. Gigue and Finale 7. Hymn to St. Cecilia, Gounod Violin Solo, Mr. Karl Ondricek. Organ, Mr. Snow. 8. Festival March, R. Strauss 9. Salut d' Amour, Ed. Elgar 10. Espana, Chabrier 11. Overture, "Fledermaus," Joh. Strauss 12. Coronation March, Ed. German
...symphony concert last night was especially enjoyable because of the well-chosen programme. It is a pleasure to find both Beethoven and Mozart symphonies given together. The "Fantasy" for Violin on Themes from Faust" relieved the formal numbers of the programme, and was rather more intelligible than modern music of this class. Mr. Bak, the soloist, combined good technical execution with a sympathetic interpretation of this selection. His tone though lacking in intensity, showed a great deal of expression...
...Kneisel Quartet, assisted by Mrs. Thomas Tapper, pianist, gave the fifth University Chamber Concert in the Fogg Lecture Room last night. The programme consisted of three numbers--the Quartet in D minor by Haydn, the Quartet in A minor by Schumann, and Richard Strauss's Sonata for Piano and Violin in E flat major. The latter was the feature of the concert, and while it offered no opportunity to show brilliance of technique, the excellent rendering by Mrs. Tapper and Mr. Kneisel was extremely well-balanced and marked by deep musical feeling...