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Word: violins (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...flying jets are heard in profusion. All have a perverse way of intruding into the music at precisely the "wrong moments"--as if any moment would not be the wrong moment! Last night's audience even had the benefit of hearing an automobile horn anticipate the solo violin by sounding precisely the same "A" with which it was to enter a few second later...

Author: By Robert G. Kopelson, | Title: The Laredos: Violin and Piano | 7/18/1967 | See Source »

Fortunately, the Monday night concert fare at Sanders more than compensates for its geographic and acoustical disadvantages. Last night, Cambridge concertgoers were treated to a violin-piano sonata recital by professionals Jaime and Ruth Laredo. The young husband-and-wife team presented a program that was deftly complementary to the piano recital of Leonard Shure a week earlier. Once again a work of Beethoven provided us the cornerstone, this time one from his more extroverted second period--the Sonata in A major Op. 47 ("Kreutzer"). But if Shure concentrated on the nineteenth century, the Laredos almost seemed...

Author: By Robert G. Kopelson, | Title: The Laredos: Violin and Piano | 7/18/1967 | See Source »

...have nothing against treating the instrument as a full partner in chamber music rather than a subservient accompanist--in fact I welcome it. But the Laredos' Bach did have severe balance problems. Mr. Laredo very quickly demonstrated a full, rich tone and an easy command of dynamics on the violin. But he was more and more obliged to "force" in an attempt to hold his own against the superior string length and physical mass of a Steinway grand...

Author: By Robert G. Kopelson, | Title: The Laredos: Violin and Piano | 7/18/1967 | See Source »

Having bowed to tradition in the Bach, the Laredos proceeded to perform the contemporary Sonata Concertante of Kirchner. This is a long work, full of virtuosic writing for the two instruments. Long, cadenza-like solo passages occur throughout, mostly for the violin. One of these--a broad, violin-spanning "theme" in double stops--opens the work and recurs periodically throughout the sonata's two movements, lending the work a somewhat cyclical character. There is nothing small about this piece, and the Laredos performed it with passion, intensity and brillance...

Author: By Robert G. Kopelson, | Title: The Laredos: Violin and Piano | 7/18/1967 | See Source »

Jaime and Ruth Laredo will perform on the violin and piano at the second Monday Night Concert Series, 8:30 p.m. at Sanders Theatre...

Author: NO WRITER ATTRIBUTED | Title: Laredo in Concert | 7/14/1967 | See Source »

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