Word: violins
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Dates: during 1960-1969
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...bemused disconsolation into the song's eternal situation of calumniating fate. "Dazed and Confused" deals with incoherent man in the face of a latter-day Cressida. After a sufficiently stunned introduction of echoing vibrato notes, the organizing riff enters. Page amuses himself by playing his guitar with a violin bow and follows this with the most involved solo of the album. After this the song dutifully falls apart, the lover, eyeless in Gaza, presumably reduced to tatters. "How Many More Times" is unduplicable for sustained, accumulating force throughout four distinct sections. Plant uses his "soaring eagle heartbroken blues" voice, bringing...
SECOND DAY. Bow cradled under his arm like a violin, Fred moved through the bush like the prey he was pursuing -three steps, pause, slowly look around. Stepping in slow motion, he somehow worked his size 14 hunting boots through the tangle of twigs without a sound. Coming upon a clearing, he pointed to deep ruts in the black soil and whispered: "That's as big a buck track as I've ever seen." As he sat statue-still behind a huge uprooted maple, a woodpecker's tattoo shattered the intense quiet like small arms fire. Overhead...
JEAN-LUC PONTY, ELECTRIC CONNECTION (World Pacific). Ponty not only plays violin, an unusual instrument in jazz, but he produces streaking arpeggios and comet trails of bent tones with a Coltranian intensity. This album, recorded with Gerald Wilson's orchestra when Ponty visited California last spring, should be enough to convince anyone that the violin can be a stirringly soulful jazz-solo voice. Classically trained, Ponty wails, shrills and sails through Hypomode de Sol, The Name of the Game and Scarborough Fair-Canticle...
...each in turn, always about a quarter-tone off pitch. Eventually, the concertmaster mercifully took the solo play away from the wounded virtuoso. The Aspen, Colo., audience was delighted by the shenanigans. They had, after all, paid as much as $50 to see and hear Jack Benny's violin act which, like his familiar monologues, is a masterpiece of comic tim ing. Benny, 75, and his fiddle have raised well over $5,000,000 at similar benefits, and this one netted $14,000 for the Aspen Music School Scholarship Fund. Unfortunately, Benny lamented, not all patrons are kind enough...
Their victory may improve the lot of the two Russians in the U.S.S.R., where the accordion is taken somewhat more seriously. But for Pam Barker, the achievement will bring nothing like the concert opportunites that a similar success could guarantee if she played the cello or the violin. "I once played with the Kansas City Philharmonic," she recalls. "Afterward the concertmaster wouldn't even shake hands with me." Anthony Ettore, a co-chairman of the contest, glumly agreed. "These kids come along with immense virtuosity and musicianship. But all anyone wants them to play is Dark Eyes...