Word: violins
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Dates: during 1990-1999
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...challenge of Beethoven's Concerto occurs in the first movement, where the notes span almost the entire range of the violin, rising to a D two octaves above the staff. As stated by the program, "This sort of exposed writing in the upper register is more indicative than anything else of what the solo part in this concerto is about." As the pitches began to stretch the bound of Human aural tolerability, one was truly thankful that it was in the hands of such an accomplished violinist. Mutter handled these delicate passages with grace and finesse, never allowing emotion...
True, Ms. Mutter was strapless, playing the violin in a gun-metal gray dress, and Mr. Ozawa was batonless, conducting as if summoning some ancient rain spirit. But these were the few rare unconventional elements of BSO's February 8th performance of Beethoven's Violin Concerto in D, Opus 61 and Igor Stravinsky's Le Sacre du Printemps, pictures from pagan Russia...
...practice sessions are rarely harmonious. Yamaha's new Silent Electric Cello ($2,500) helps keep neighbors and relatives of musicians from tearing their hair out by channeling nearly all sound to an internal audio receiver and computer chip, then sending it to headphones plugged into the cello. A Silent Violin is also available...
...weekend engagement was dedicated to the memory of choreographer Jerome Robbins, whose masterpiece, Fancy Free, was featured at every performance. The performance included five short pieces revealing the classical and the modern strengths of ABT's repertoire and dancers; The Bruch Violin Concerto No. 1, Fancy Free, and three pas de deux from Swan Lake, Le Corsaire and Romeo and Juliet. The dancers performed each number with a refreshing and youthful exuberance. The enthusiasm with which they danced, the consistently strong technique of the dancers from the corps de ballet to the principle dancers and the ease with which they...
...evening opened with the Bruch Violin Concerto No. 1, which the ABT commissioned and premiered in 1987. The lively piece has three movements and includes four main couples and a corps de ballet of 16. The choreography consists of numerous lifts and turns, and at times the corps looked chaotic and stiff rather than organized and fluid. The male corps dancers, in particular, were incredibly strong and their jumps incredibly high. The lead couples included both principal and corps de ballet dancers. Though each couple was excellent, the refinement and artistry of the principal dancers stood out in contrast...