Word: violins
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Dates: during 2000-2009
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...skilled dancers do justice to Jenning’s lively, flamboyant, and overall excellent choreography.Appropriately the other driving force behind “Footloose,” the small but mighty orchestra under the direction of Howard created the rhythm of the show. The vibrating, wistful notes of the violin, played by Nina Han ’09, in “Learning to be Silent” perfectly complements Ethel’s (Caitlin Smythe) and Vi’s (Francesca S. Serritella ’08) ethereal voices.The set, designed by Malone and Owings, is simple but effective?...
...LamentationsFogg Art Museum Calderwood Courtyard Mariachi VeritasHarvard Yard Stage A Gilbert and Sullivan ReviewHolden Chapel Harvard SangeetLoker Commons Japanese Tea Ceremony DemonstrationsTearoom, East Asian Languages and Civilizations Department, 5 Bryant St. Dance FestivalLowell Lecture Hall Sacred Choral MusicMemorial Church Chopin Ballade no. 4Paine Hall GlitteratiPhillips Brooks House Mendelssohn Violin Concerto with Mozart Society OrchestraSanders Theatre Asian Pop MusicScience Center D1:30 PM Chamber SingersAdolphus Busch Hall Poulenc SextetFogg Art Museum Calderwood Courtyard Fun, Fearless, Female A CappellaHarvard Yard Stage Off the TopHolden Chapel Anahata: Chinese and Indian Classical Fusion Loker Commons U Choir Performs The Best-Beloved: Four Jacobean MotetsMemorial...
...Supervised Reading and Research,” or solo piano performances in both Paine Hall and the Calderwood Courtyard in the Fogg Art Museum.One of the largest groups in the Performance Fair is the Mozart Society Orchestra (MSO), which is playing Mendelssohn’s “Violin Concerto in E minor.” MSO—which will feature soloist Sandy M. Cameron ’09, the winner of the organization’s Freshman Concerto Competition—will take the stage in Sanders Theatre at 1 p.m. At the same time, Yoko S. Wakabayashi...
...instruments and jazz, what we are not as familiar with is the type of vocal improv, which will happen next Friday night. Each of the six compositions (three performed by each singer) will start off with a traditional, spot-invented vocal prelude, which will be backed up by the violin. Later, percussion will be added. “As the concert progresses, we will start with heavy, deep classical pieces, followed by lighter ones that will have a focus on rhythm. Traditionally, there is more audience interaction—like a devotional,” said Sridhar. The Sangeet performance...
...cross-stage seating that typically allows the first and second violins to enhance the excitement of the piece by exchanging musical barbs was not highly effective due to a slightly anemic second violin section. Demirjian’s conducting was fluid and varied, well capturing the tangled emotions of the overture...