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...what about the mimes? A trio of French clowns, Les Macloma, is tiresome in its first two appearances, beguiling in its third (a snatch of music played on two balloons and a one-string violin). But John Gilkey, Quidam's emcee, is a gawky delight, especially in a dance routine with a hat rack. Gilkey knows that the body is a deft comic instrument, even as the charming Chinese girls who do the "diabolos" routine (spinning a toy on a string while prancing nonstop in short skirts and Tin Woodman hats) know how to make this precision aerobic workout seem...

Author: /time Magazine | Title: THEATER: FORGIVE THE MIMES | 10/14/1996 | See Source »

Glenn A. Nano '98, a member of the Harvard band Daily Planet, complains that "there is very little in the way of space for anyone doing anything post-Stravinsky." He cites the absence of rooms designed for modern music which would require greater sound-proofing than those constructed for violin practice. The provision of instruments is another factor in OFA's classical bias, which Nano suggests is evident in its purchase of additional grand pianos rather than a single drum set. The non-existence of a modern music department since the departure of Anthony Davis is also of central concern...

Author: NO WRITER ATTRIBUTED | Title: The Invisible Gardener | 10/1/1996 | See Source »

...Square violin player who identified himself as Henry said Fokin deserved praise for his kindness...

Author: By Lori I. Diamond, | Title: Popular Russian Puppeteer Dies | 9/24/1996 | See Source »

Music seems to be his other passion. Kedlaya has played violin in the Toscanini Chamber Orchestra and sung with the Harvard-Radcliffe Chorus and the Glee Club. One of his favorite activities this year was learning Indian film songs for his Hindu class. And he fondly recalls the spring that he sang Elvis songs with a bunch of Hungarians in a karaoke bar in Budapest. Of course, he was in Budapest for a math program...

Author: By Geoffrey C. Hsu, | Title: Breaking the Curve | 6/6/1996 | See Source »

...take up a large fraction of my time. I didn't feel comfortable being told what to read and when to do it. I never took a music appreciation course, but I spent hours each week listening to orchestral and chamber music with score in hand. I practiced my violin, played sonatas with my classmate Noel Lee '46-'48 and played in the Harvard-Radcliffe Orchestra. I spent many happy hours slowly working my way through the novels of Anatole France and the philosophical essays of Henri Bergson, without expert guidance or a firm grasp of the subjunctive...

Author: NO WRITER ATTRIBUTED | Title: Learning the Material That Won't Be Tested | 6/4/1996 | See Source »

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