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...Classical emphasis as much as did the previous concerts, but it is interesting nonetheless. The orchestra plays Kodaly's Dances of Galenta, Vivaldi's "winter" and "Spring" from the "Four Seasons," and Mozart's Symphony No. 35 ("Haffner"). The last piece should be most noteworthy, but also watch for violinst Jennie Shames, who has shown real talent and sensitivity in the past, in the Vivaldi work. The Bach Soc performs at Sanders Theatre on Saturday, May 6, at 8:30 pm. Tickets are available at the door or at Holyoke Ticket Office...

Author: By Richard Kreindler, | Title: Bows But No Scrapes As the Bach Soc. Bows Out | 5/4/1978 | See Source »

...Sonata K. 281 and Beethoven's Sonata in C sharp minor Op. 27, no. 2. In a more modern vein, the New England Woodwind Quintet performs works of Villa-Lobos, Barber and Janacek, as well as Haydn, on Wednesday, January 25, at Longy. The Cambridge Chamber Players features guest violinst Joseph Silverstein and guest pianist Andrew Wolf on January 27. This should be a very worth-while concert, and includes Ravel's Trio in A minor...

Author: By Richard Kreindler, | Title: Here To Fray, Gone Tomorrow | 1/12/1978 | See Source »

...Marlboro Music Festival appears in a program of chamber music performed by violinst Young-Uck Kim, violinist Heeichiro Ohyama, cellist Timothy Eddy, and pianist Stephanie Brown. The "Music from Marlboro" concert includes Duo for Violin and Viola in B flat, K. 424, Mozart; String Trio in G major, Op. 9; and Piano Trio in F minor, Op. 65, Dvorak. Longy School of Music, 1 Follen St., Cambridge. 8:30 pm. $6, $3 with student...

Author: By Richard Kreindler, | Title: CLASSICAL | 4/21/1977 | See Source »

...Harvard-Radcliffe Orchestra's final performance of the season features Bach's Brandenburg Concerto No. 5, Piston's Flute Concerto, and Beethoven's Symphony No. 7. With James Yannatos, conductor and violinst, Doriot A Dwyer, flutist, and Luise Vosgerchian, pianist. Sanders Theater. 8:30 pm. $2, $1.50 for students and senior citizens. For info...

Author: By Richard Kreindler, | Title: CLASSICAL | 4/21/1977 | See Source »

...mind was "exquisite." Jaime Laredo's near-flawless intonation enabled him to give the most moving rendition of the "Kreutzer's" opening double-stop solo I have ever heard. As one member of the audience said, it was a pleasure to sit back and to listen to a violinst without having to cringe. As a team the Laredos often seemed to compete with each other. But when they both agreed on a sound, the effect was breathtaking--as when Mrs. Laredo brought herself to match her husband's pianissimo. For those who heard the second movement of the "Kreutzer" last...

Author: By Robert G. Kopelson, | Title: The Laredos: Violin and Piano | 7/18/1967 | See Source »

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