Word: violist
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Dates: during 1960-1969
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Special Resources. If the Guarneri is indeed Budapest's heir, it could not have been more properly anointed. It was founded at Vermont's Marlboro Music Festival at the suggestion of the Budapest's own second violinist, Alexander Schneider; its name was supplied by Budapest Violist Boris Kroyt, who had once played with a now defunct European quartet called the Guarneri (after the 18th century Italian violinmaker). Despite its distinguished sponsorship, the quartet's success is the result of its own special musical resources. First Violinist Arnold Steinhardt, 32, a tall (6 ft. 3 in.), darkly...
...years, that was one of the music world's favorite jokes. Alas, no one will tell it any more: the Budapest String Quartet has apparently decided to call it a career. Its three oldest members-First Violinist Josef Roisman, 68, Violist Boris Kroyt, 71, and Cellist Mischa Schneider, 64-are in poor health. Although there has been no formal announcement, they have agreed not to perform in public any more. Mischa's brother Alexander, 60, the second violinist, thinks that that is probably just as well. "Most artists play past their prime," he says. "How long could...
...early days of LP and a third for stereo. Haydn, Schubert and Brahms were staples as well, and moderns like Bartok, Milhaud and Hindemith were regularly included. To everything they played, the foursome brought a Toscanini-like elegance of outline within which the music pulsed with expressive passion. Says Violist Walter Trampler, their "fifth man" in quintet performances since 1955: "They had temperament and fire. Some people have lots of that, but they get carried away. The Budapest players were always in control...
...took 22 years before Roisman and Mischa addressed each other by their first names, and Alexander to this day has never attempted such informality with his colleagues Roisman or Kroyt. Says Seattle Symphony Conductor Milton Katims, who preceded Trampler as the group's extra violist: "It was like four married people trying to keep their relationship fresh and spontaneous...
...Mozart piece got off to a rather weak start when the cellist's music dropped to the floor. With great aplomb, Schneider leaned down to pick it up, commenting, "Well done." During the first movement, Allegro, certain motifs played by the violinist were to be echoed by the violist, who, in contrast, failed to match the agility and lightness of Schneider's playing. The group did, however, make very effective transitions and tempo changes. Played with apparent quickness and ease, the Menuetto Allegretto had an incomparable dance-like quality. The final Allegro moved well and provided an excellent ending...