Word: violoncellos
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Mary Fraley Johnson played the Sonata for Violoncello Solo, Opus 25, No. 3, in her usual dramatic and vehement manner. This piece is some-what similar to its predecessor from the same opus, but was not nearly so dissonant. It did, however, accentuate the same tonal richness...
Both Des Todes Tod and its successor on the program, Die Serenaden--a little cantata on Romantic texts for soprano, oboe, viola and violoncello--approached Hindemith's orchestral ideal of thick texture, rich tone and extensive contrapuntal treatment, with each instrument going its separate way. In "Der Wurm am Meer" in the second group of pieces in Die Serenaden, all four elements had different melodies that combined to form a coherent and colorful whole. Such terms might be used to describe the whole program...
...concert given by the Harvard-Radcliffe Orchestra in Sanders last Friday night was disappointing. The only part of the program that was musically acceptable was Frances Steiner's playing of the Saint-Saens Violoncello Concerto, Opus 55. Her tone was usually warm and clear, and the technically difficult passages were executed with a degree of ease. Unfortunately, soloist and orchestra did not always pay sufficient attention to each other...
Third composition on the program was Peter Mennin's Concerto for Violoncello and Orchestra, which made fewer demands on the listener, and showed less originality and toughness. It provided a neoromantic contrast to Sessions, and for long stretches sounded as if it might have been titled "Mr. Brahms Goes to Juilliard." Composer Mennin, who has six performed symphonies to his credit, kept the orchestra mostly under wraps to make his concerto one long melodious song for Leonard Rose's fluent cello...
...portraits by Van Dyck, paintings by Poussin, frescoes by Ingres. Into the tiny chapel they went, and headed directly for the altar, where two pictures hung: on the right, a small (28 in. by 35 in.) Infant Jesus, believed to be a Rubens; on the left, Angel Playing Violoncello, attributed to Raphael. Down came the paintings, frames and all. From concealed drawers the thieves took finely wrought vestments and a gold wafer dish. Then out they went, as silently as they had come. Paris newspapers estimated their choosy haul at 50 to 60 million francs...