Word: viols
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...Because his patron, Prince Nicolaus Esterhazy, liked to play a hollow-necked, stringed instrument called the baryton, Haydn composed at least 125 divertimenti for it, of which five are exhumed by the Salzburger Baryton Trio. To many ears, the recording will be an eloquent argument for keeping the twangy viol locked in museums...
...quality. At the Spoleto Festival, they wouldn't believe it." Mrs. Hutchins' new instruments, some of which have already been played, are even more unbelievable: they run a wide gamut of tones-from an octave higher than the violin to the lowest tones of the present bass viol-and they do so with equal timbre and loudness each step of the way. Only an instrument maker with Mrs. Hutchins' combination of craftsmanship and science could have made them...
...small brass and wind ensemble (augmented by a lone bass viol) had far greater problems to overcome in Varese's Octandre, composed in 1924. One of the major difficulties of this score is that it depends for its effect almost entirely on subtle variations of volume and orchestration for its effect. Moreover, it is written without much care for the capacities of the individual instruments and makes enormous, almost unattainable, demands on the rhythmic accuracy of the players. It is certainly not an aggressively unpleasant work and some piquant arrangements of the brass sonorities were intriguing. Yet, the work seems...
...group of seven dances and secular vocal pieces, most attractive was Non e tempo d'aspettare byMarco Cara, one of the chief musicians at Isabella's Mantuan court. It was played here by lute and viol. The performance of vocal pieces by an instrumental ensemble is a perfectly authentic Renaissance practice...
Brown was the superb soloist in two sonatas for recorder and basso continuo (viol and keyboard) by Handel and Telemann--the two competitors for the top Trendex rating when Bach was generally considered a negligible talent. The first movement of the Telemann was a good example of the Baroque convention of using descending chromatic scale fragments to express sadness. In both works, Miss Olson's viol was far too weak, although she was fine in her two solo recercadas by Ortiz. In Baroque music, the bass line cannot be too strong...