Word: virginias
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...thousand tiny judgments and intuitions, all to make the craft disappear and the character materialize. George Grizzard, who died this week at a much-too-young 79, had that gift. Of course he was Nick in the original production of Edward Albee's Who's Afraid of Virginia Woolf? Of course he was John Adams in the PBS miniseries The Adams Chronicles. When he played any number of brash young men in TV anthology series, he was those men, as just as easily, or magically, the flinty gents of Judgment at Nuremberg and revivals of Albee's A Delicate Balance...
...came on my radar in the early '60s. I saw him on stage in Virginia Woolf, where he was Nick, a cocky young professor whom an older college couple (Arthur Hill and Uta Hagen) have fun unmanning on their way to their own, more melancholy accommodation with reality. He also made an impression in a big movie, the political drama Advise and Consent, as a snaky, pre-Cheney Wyoming Senator, trying to blackmail a colleague for an early brush with homosexuality. In my innocent appreciation, I didn't think he was good at playing bad guys; I thought...
...reunion concert of Van Halen has you feeling like you've stepped into a time warp... Where have you been all summer? There was Don Dokken wailing "Unchain the Night" to hundreds of wild fans in Springfield, Virginia, as razor-sharp, screaming guitar chords pierced the darkness. A few weeks after, in the same venue, Ratt lead singer Stephen Pearcy stretched a mike over the crowd and sang "Round and Round" as bodies slammed together and fists pounded the air. In Thorpe, Pennsylvania, Warrant's Jani Lane was in concert, singing the band's classic '80s metal ballad "Heaven...
...anecdotes told within the framework of three famous women’s literary works: Christine de Pizan’s “Book of the City of Ladies,” Elizabeth Cady Stanton’s “Eighty Years and More,” and Virginia Woolf’s “A Room of One’s Own” serve as primary examples of literature that have brought previously overlooked types women to the forefront. What makes Ulrich’s book insightful as well as worthwhile are the details she provides...
...also have to do with reading against the grain.A PRESENT CONSTRUCTIONWhile Ulrich’s book encompasses everyone from Amazons to abolitionists, it returns again and again to the texts of three prominent writers in women’s history—Christine de Pizan, Elizabeth Cady Stanton, and Virginia Woolf—to drive home her view that history is a dialogue between present and past.“As I like to tell my students, history is not the moldy old facts. We create history out of the sources that survive from the past...