Word: virtuoso
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Dates: during 1960-1969
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April being the cruelest month, Actor Hal Holbrook, 41, rummaged through the collected wit of Samuel Clemens and inserted an apt crack into his one-man virtuoso performance, Mark Twain Tonight!, at Manhattan's Longacre Theater. "What's the difference between a taxidermist and a tax collector?" mused Holbrook-Twain. "The taxidermist takes only your skin...
Died. Battista Pininfarina, 70, Italy's virtuoso of automobile styling, famed for the sculptured elegance of his sports and grand touring cars, whose Turin plant turned out 75 mostly handcrafted auto bodies a day at prices ranging from $2,500 for a Fiat to $18,000 for a Ferrari, each stamped with the designer's genius for sweeping, uncluttered, unchromed lines, something that Detroit has come to admire in recent years; of liver disease; in Lausanne, Switzerland...
SAINT-SAENS: CONCERTOS NOS. 2 AND 4 FOR PIANO AND ORCHESTRA (Columbia). The 31-year-old French pianist Philippe Entremont tosses off both virtuoso works with steel-fingered bravura. Saint-Saens' flashy climaxes are mostly rhetoric, but as Entremont plays them they are satisfying to the ear; in the lyrical passages, he is able to draw a fine melodic line between melancholy and pathos. The brilliant splashes of orchestral color are furnished by the Philadelphia Orchestra, Eugene Ormandy conducting...
Aerial Auroras. Turner scorned the highly varnished, precisely glazed look of a "finished" painting. He wanted his paintings to show virtuoso brushwork (sometimes he even daubed with bread rather than bristles). Before exhibitions opened at the Royal Academy, artists traditionally varnished their canvases in sight of the public. Turner, instead, completed his. Spectators gawked as the academician, in top hat and frock coat, stood on a bench daubing away at his already hung oils. With his color box beside him, he mixed pigments in whatever was handy, even stale beer, to touch up details that would provide some visual reference...
...Garden bring two characters face-to-face. But when three or four are gathered togther, all hell breaks loose. The ensemble scenes seem curiously inaccurate. Everyone talks as if he had forgotten anyone else was present. I think The Garden would play passably--perhaps well--if a virtuoso actress were found for the part of Sophia. Certainly the play deserves a better production than the one it is presently receiving at Agassiz. Nervous acting, and very little directing at all, have emphasized the difficulties of the script. Miss Picker herself has chosen to take on the role of Sophia...