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...organ concertos. It was written specifically for harp or organ, so that it is not merely a transcription, but a work composed by Handel with the harp actually in mind. How Handel treats the harp in this concerto, and how the harp compares with the organ as a virtuoso instrument for concerto, are interesting questions which should be answered Monday night...

Author: By Jonas Barish, | Title: THE MUSIC BOX | 2/20/1941 | See Source »

...winsome nymphs (exceptions: Simon Moselsio's sloe-eyed Nude, John B. Flannagan's dreamy bronze Mother and Child-see cuts). None of the pieces showed any recognizable relation to the U. S. scene. Most abstract of all were: 1) a nut-&-bolt portrait by David Smith, virtuoso in scrap iron (TIME, Nov. 18); 2) a jittery, swaying mobile made out of fence wire and iron by U. S. Mobilist Alexander ("Sandy") Calder. Most arresting exhibit: a crawling, sluglike, headless, armless and legless female form in plaster with three hips, two breasts and a navel, modeled with necrophilic realism...

Author: /time Magazine | Title: Art: Domesticated Chisels | 1/13/1941 | See Source »

Even hardheaded critics, who have long held that sculptural Virtuoso Milles sacrifices purity of line to superficial melodrama, had to admit that few living sculptors could match the sound & fury of his mystical, Norse fairyland in sculpture. Most impressive of the works displayed was his most recent: a surging, scowling winged bronze figure called Monument to Genius (see cut), which cut loose from Milles' polished style and told its story with roughhewn realism...

Author: /time Magazine | Title: Art: Giants in Baltimore | 12/2/1940 | See Source »

...parlor. For days, white-haired, wispy Composer Bela Bartok, famed Hungarian modernist, had rehearsed the first performance of a Sonata for Two Pianos and Percussion Instruments. He and his pretty, blue-eyed wife, Ditta Pasztory, played the piano parts. New York Philharmonic Tympanist Solly Goodman and Cymbal & Gong Virtuoso Henry Denecke, surrounded by seven drums, two pairs of cymbals, a triangle and a xylophone (some of them played with their feet), had grown as skittish as a couple of prima donnas. But by the time they got it whipped into shape, the sonata sounded like a piano conservatory tinkling sweetly...

Author: /time Magazine | Title: Music: Kitchen Sonata | 11/11/1940 | See Source »

Lean, long-fingered Alexander Brailowsky, Russian Chopin virtuoso, stepped onto the stage of Barranquilla, Colombia's Municipal Theatre, acknowledged applause, then turned toward the piano. It wasn't there. The manager had forgotten. There was no concert...

Author: /time Magazine | Title: People, Nov. 4, 1940 | 11/4/1940 | See Source »

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