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...Thursday's program showed, Forger is a virtuoso organist. A demanding Brahms G minor Prelude and Fugue (with hints of Bach S. 542?) preceded dense music of the late master Jean Langlais and of Helmut Walcha, a superb organist in his own right, whose neo-Baroque compositions spring from a performative mastery of the original idiom...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: Trapped in Classical World: A Boston Weekend | 4/30/1999 | See Source »

Sunday afternoon, percussion virtuoso Evelyn Glennie returned to Jordan Hall for another Celebrity Series engagement. My seatmate, a percussionist herself, remarked that the concert program showed just how successful Glennie has been as a missionary for her art. Five years ago, Glennie would likely have played only the marimba in such a setting, but thanks to her growing popularity, she has been able to expand her solo repertoire to include more drum-based literature." It was truly a percussion recital as opposed to a marimba recital. This specialized repertoire develops in tandem with commissions from contemporary composers, many of whom...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: Trapped in Classical World: A Boston Weekend | 4/30/1999 | See Source »

Often Glennie would address the audience in her heavy Scottish brogue, and she described the next music, arranged by Ian Finkel, as a "lollipop piece." "The Gypsy Virtuoso" was full of smiling allusions to the Liszt Hungarian Rhapsodies and the Brahms Hungarian Dances, all poured into the formal mold or a concerto movement. Glennie's arrangement of a Kevin Volans piece, "She who sleeps with a small blanket," is, in her own word, "disconcerting," scored for bongos, congas, bass drum, and marimba. Whoever "She" is, she has nightmares. The concert continued with a virtuoso marimba solo, "Velocities" by Joseph Schwantner...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: Trapped in Classical World: A Boston Weekend | 4/30/1999 | See Source »

...phenoms (Madonna, Cher, etc.) has a style that is hardly replicable by any other. Playing what was once considered the Bartok Violin Concerto (before the discovery of the First Violin Concerto), one was led to a feeling of extreme awe. Awe at the masterful execution by this petite Japanese virtuoso, awe at her apparent humility, and just plain heart-thumping, jaw-dropping...

Author: By Teri Wang, CONTRIBUTING WRITER | Title: Go Sci-Fi with the BSO | 4/23/1999 | See Source »

DIED. RED NORVO, 91, jazz's original mallet virtuoso (vibraphone, xylophone and marimba); in Santa Monica, Calif. Born Kenneth Norville, he changed his name after an emcee mispronounced it. A masterly improviser known for moody, delicate arrangements, Norvo led several experimental--and highly respected--drummerless jazz bands. He also worked with Benny Goodman and Frank Sinatra...

Author: /time Magazine | Title: Milestones Apr. 19, 1999 | 4/19/1999 | See Source »

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