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Part of the success of Heaven Can Wait (or whatever you want to call it) can be credited to author Harry Segall's virtuoso incorporation of every popular comedy element known to man into a two-hour script. This play has it all: mistaken identities, fumbling criminals, an adorable romance, a working-class mug playing a millionaire, a boxing match, some good black humor, and a whole bunch of scenes set in heaven with genuine angels...

Author: By Will Meyerhofer, | Title: Heaven Sent | 12/9/1988 | See Source »

...part of what its president termed a new trend of professionalism," the Mozart Society Orchestra featured piano virtuoso Luise Vosgerchian at Paine Hall yesterday in its first concert of the year...

Author: NO WRITER ATTRIBUTED | Title: Short Takes | 11/7/1988 | See Source »

...pictorial mechanism -- the creamy, dashed-off realism of a Manet oil sketch. But this requires a mastery over the detail and frequency of brushstrokes, and a certainty about the drawing embedded in them, that he has not yet attained. He will slide from a passage of near virtuoso colloquialism to one of awkward smearing and prodding, and not fix -- maybe not see -- the difference...

Author: /time Magazine | Title: Art: Discontents of The White Tribe | 5/30/1988 | See Source »

...Film Historian Lewis Jacobs saluted Walt Disney as the "virtuoso of the film medium." Twenty years later, this Hollywood Paderewski was playing mostly Muzak. His studio's artistic growth had been stunted, by both the | demand for new product in two mediums and the creeping conservatism that afflicts almost any burgeoning corporation. Yet Disney was always a visionary entrepreneur; he still had magic to do. In the 1950s Disney made three business decisions that would sustain his company until the Eisner years. Decades later, they would profoundly affect the movie business...

Author: /time Magazine | Title: Holding Their Banner High | 4/25/1988 | See Source »

...dark and serious comedy. The graceless, awkward, stiff, stumbling character trips about in a world occupied by natural athletes and virtuoso statesmen, though once he commanded that world. Preposterous contrasts are always good for a laugh. Alone onstage in Saddle River, the comedian raises himself to the company of heroes, soliloquizing that "it is necessary to struggle, to be embattled, to be knocked down and to have to get up." Look at history's great leaders, he says. They have all trod the wilderness at times. Churchill, De Gaulle, Adenauer. If the audience thinks such comparisons absurd, clearly the comedian...

Author: /time Magazine | Title: RICHARD NIXON: The Dark Comedian | 4/25/1988 | See Source »

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