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Died. Lionel Tertis, 98, English viola virtuoso; in London. Born in 1876, on the same day as Cellist Pablo Casals, Tertis campaigned successfully to persuade composers to write solo pieces for his chosen instrument. For more than four decades Tertis was Europe's premier violist, playing with such friends as Casals and Pianist Artur Rubinstein, who joined him for a celebrated recital of Brahms' C Minor Piano Quartet during a London blackout in World War II. The Tertis viola, which he designed after his retirement, remains the choice of many leading concert performers...

Author: /time Magazine | Title: Milestones, Mar. 10, 1975 | 3/10/1975 | See Source »

...back community respect. Even a score by the usually excellent Bernard Herrman is of little help. Herrman did the music for many of Hitchcock's best films (Vertigo, Psycho). His participation in It's Alive lends it a fleeting and futile air of quality, like a concert virtuoso playing piano in a cathouse...

Author: /time Magazine | Title: Cinema: Scarred at Birth | 3/3/1975 | See Source »

Kirkland House is a good place to be again on Saturday as oboe virtuoso Steven Hammer returns to Harvard, and on Sunday, Adams House gets into the act with the Fine Arts Trio on a performance of Schubert's Bb Piano Trio, one of my favorites...

Author: By Joseph Straus, | Title: Classical | 2/13/1975 | See Source »

...Whether or not such an artist really is Peter Pan, he is apt to be treated as though he were; a precocious reputation stiffens round him like a coffin, immuring him in the period of his youth. He is not expected to mature, but simply to become an older virtuoso, so that all his later work risks being dismissed as an appendage to the earlier. If he accepts this role, it grips him, and he turns into a vulgar monster-something like Salvador Dali. If he fights it and reflects the blame for it on the audience (where it belongs...

Author: /time Magazine | Title: Art: Enfant Terrible at 50 | 1/27/1975 | See Source »

...number of superior recorded performances it has had over the years. Argenta, Beecham, Munch, Van Beinum and Ozawa are among the many who have mastered this wildly prophetic score, completed in 1830, only three years after Beethoven's death. Here are two new versions, both by virtuoso conductors and virtuoso orchestras, that go to the top of the list. To choose between them is difficult. Davis' elegant approach is underlined, and undermined, by Philips' lusciously veiled, soft-edged acoustics-and by a splitting of the slow third movement (Scène aux champs) between sides. London gets...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 1/6/1975 | See Source »

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