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Mary Beim in the title role has a saccharine content well above 800 Tabs a day. With a pleasant voice, she competently presents herself as the virtuous and innocent heroine in danger of losing the mortgage to the home she bought with the earnings from her cookie sales. When Big Jim finally proposes to her, Beim gives the audience a saccharine high as she exclaims "I am a woman fulfilled...

Author: By Mike Kendall, | Title: Sweet Revenge | 3/24/1977 | See Source »

...late in Ensor's career, 1915: a portrait of his mother's corpse. At first glance she is mere background, an almost monochrome rumpling of the sheets behind a still life of medicine bottles; to the extent that paint can catch the sour, carbolic odor of a virtuous deathbed, it is done here...

Author: /time Magazine | Title: Art: Ensor: Much Possessed by Death | 3/7/1977 | See Source »

...slavery was America's original sin. Roots, for all its soap opera, sex and violence, seems to have had a certain expiatory effect. From the various mythic provinces of TV, which may be the densest core of American imagination now, are gathered a virtuous and likable group of heroes: Pa Cartwright from the Ponderosa, Lou Grant from The Mary Tyler Moore Show, affable Sergeant Enright from MacMillan and Wife and sweet Sandy Duncan from the apartment upstairs. But in Roots, they all turn counterfeit-treacherous, violent and contemptible. Only one white, Old George, is sympathetic. The blacks are noble...

Author: /time Magazine | Title: Time Essay: Living with the 'Peculiar Institution' | 2/14/1977 | See Source »

Several levels of dishonesty become apparent in Network. The film hits its deceitful best in its with which to identify. We have an Edward R. Murrow character in whore-number-one, Max Shumacher (William Holden), head of the news division. But unlike Murrow (who was virtuous both on and off the screen) Shumacher leaves his wife of 25 years and shacks up with whore-number-two, vice president for programming Diana Christenson (Faye Dunaway...

Author: By Jim Cramer, | Title: Dreck from the UBS Evening Newsroom in New York | 1/14/1977 | See Source »

Like a play within a play, any production of this work turns on the final understanding between Petruchio and his tamed shrew. She may finish by agreeing with her husband that a woman's duty is to be a "most patient, sweet, and virtuous wife." Call this a medieval Kate. Or, having been frozen, starved and exhausted by her dauntless husband, she may cry out like a trapped and beaten Kate. In recent years she has been played as an ironic Kate, addressing her last speech, on the submission of wives, directly to the audience as a private joke...

Author: By Diane Sherlock, | Title: Pick a Shrew, Any Shrew | 12/6/1976 | See Source »

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