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...project's virtuous social agenda would be unremarkable without its world-class aesthetic aspirations. More than 200 architects from 15 countries entered IBA's invitational design competitions, and the winners constitute a sort of international Who's Who. West Berlin has or will soon have new IBA buildings by O.M. Ungers (West Germany), Hans Hollein (Austria), Rob Krier (Luxembourg), Mario Botta (Switzerland), Aldo Rossi (Italy), Oriol Bohigas (Spain), Rem Koolhaas (the Netherlands), James Stirling (Britain), Arata Isozaki (Japan) and, from the U.S., Charles Moore, Robert A.M. Stern, Stanley Tigerman, Peter Eisenman and John Hejduk. A museum show tied...

Author: /time Magazine | Title: Design: Rebuilding Berlin - Yet Again | 6/15/1987 | See Source »

With so many candidates sounding like virtuous, angry populists, it is doubtful that any one of them can collect heavy dividends from the theme of righteousness alone. Similarly, marital fidelity by itself is not going to be a big draw. Instead, these will probably prove to be what pollsters call "threshold issues" -- standards to which the candidates must measure up simply to stay in contention. Some candidates will have more difficulty than others. Nevada Republican Paul Laxalt, for instance, was once part of his state's gambling industry and is still pressing a libel suit against a newspaper chain, which...

Author: /time Magazine | Title: Sounds of the Righteous Brothers | 5/25/1987 | See Source »

...keep one thing in mind. No set of courses, however brilliantly taught, no code of conduct, however wisely conceived, will ever succeed in strengthening the character of our students unless they are buttressed by the force of personal example. If you would know virtue, Plato tells us, observe the virtuous man. For more than a quarter of a century, Ted Hesburgh has given to us all the example of a virtuous man. May his success embolden more of us to follow his lead...

Author: NO WRITER ATTRIBUTED | Title: President Bok: | 5/20/1987 | See Source »

...prejudices. Clearly, the Whitney curators resist realist painting, and their promotion of media-based conceptual imagery over more directly pictorial forms of intelligence verges on intellectual snobbery (for example, Richard Prince's boringly generic reflections on photo reproduction, or Bruce Nauman's neon pieces, or Barbara Kruger's snootily virtuous samplers bearing such commonplaces as I SHOP THEREFORE I AM). But no one could accuse it of the air-headedness that marked its immediate predecessor. This is a tighter, more conservative Biennial, attentive to the internal rhymes of current art and to the cross relations between artists. What we have...

Author: /time Magazine | Title: Art: Navigating A Cultural Trough | 5/11/1987 | See Source »

...hands of a new entrepreneurial class that has fixated on "masterpieces." One cannot spend $39.9 million on houses, Ferraris or caviar without looking like an ape. Art is the saving grace by which any nasty Croesus with more money than he knows what to do with can look virtuous. It confers an oily sheen of spiritual transcendence and cultural responsibility upon individual and corporation alike. That is why even a soft-porn merchant like Bob Guccione, publisher of Penthouse magazine, is now a "major" collector...

Author: /time Magazine | Title: Art: Of Vincent and Eanum Pig | 4/13/1987 | See Source »

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