Word: virtuousic
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...Stevens) has its immortal virtues-speeches filled with fragrance, bewitching songs. In Viola it has a charming heroine; in Malvolio, "sick of self-love," a monumental pompous ass. To him, as a huffing spoilsport, is addressed one of Shakespeare's crispest queries: "Dost thou think, because thou art virtuous, there shall be no more cakes and ale?" To him, by a frisking clown, is tossed some of Shakespeare's tersest wisdom: "There is no darkness but ignorance." And nowhere more than in Twelfth Night can a lovely moment suddenly leap out of the crudest horseplay...
...story was familiar, at least in outline: Librettist Eric (Let's Make an Opera) Crozier had freely adapted his comic libretto from Guy de Maupassant's Le Rosier de Madame Husson. A bumpkin is chosen King of the May because in the village there is no girl virtuous enough to be Queen, eventually winds up on a roaring toot. To this, Composer Britten hitched a witty, somewhat Peter and the Wolf-ish score, in which each instrument seemed to portray (or mock) a character on stage. There were other Britten trademarks: well-fitting songs and exciting ensembles. Even...
...blowing a hole in the ceiling and taking away part of Lloyd's face and the thumb and index finger of his right hand. Only determination pulled him through the accident and the subsequent surgery. But back into the movie business he went. The intent, slightly bewildered, obviously virtuous face of Harold Lloyd began popping out at movie audiences in thousands of Palaces and Bijous. The nation split its sides...
...essay "The Virtuous Vizor of Richard III," Raymond Joel Dorius 6G was awarded the Winthrop Sargent Prize, while the first and second Susan Anthony Potter Prizes went to Walter Adolph Strauss 2G, and Aniel Phillippe Van Teslaar 2G in that order. Strauss wrote "Albert Camus 'Caligula: Ancient Sources and Modern Parallels," and Van Ecslaar submitted an essay entitled "Dil-they and the Theory of Literature...
Minnie and Mr. Williams (by Richard Hughes; produced by John Gassner & David Dietz) reached Broadway 25 years after it was written, and ran for less than a week. In it the author of A High Wind in Jamaica had written a folksy Welsh fantasy involving a virtuous village clergyman (Eddie Dowling), his wooden-legged wife Minnie (Josephine Hull), a young girl in the employ of the Devil, and the high-kicking flesh & blood leg that Minnie suddenly sprouted. The whole thing was a frisky parable in which good & evil did not wrestle so much as tickle each other with straws...