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...pick, suggested by Boulez, was Chéreau, the current enfant terrible of the Paris stage, whose only previous ventures into opera were an iconoclastic Tales of Hoffmann in Paris and Rossini's L'ltaliana in Algeri at Spoleto. ("You should watch this young man," said Luchino Visconti, director of The Damned and Death in Venice, in 1969. "This...

Author: /time Magazine | Title: Music: Playing with Toys at Bayreuth | 8/9/1976 | See Source »

...Damned. Lucino Visconti's epic film about the rise and fall of a German industrial family producing heavy arms in Hitler's Germany (modeled on the Krupps) is among the best historical films ever made. It provides a particularly good focus on the connection between sexual perversity and power in Nazi Germany, and the representation of the Night of the Long Knives is extremely chilling. Helmut Berger finds his ideal role as the mother-fixated incompetent heir, and the raven haired young girl he molests is enough to turn anyone into a pedophile. Peter Kaplan...

Author: NO WRITER ATTRIBUTED | Title: Film | 5/20/1976 | See Source »

Died. Count Luchino Visconti, 69, Italian aristocrat who became a movie director at the age of 30 and made an international reputation with a handful of meticulously wrought and highly atmospheric films; of a heart attack while suffering from influenza; in Rome. An early neorealist, along with Vittorio de Sica and Michelangelo Antonioni, Visconti used Sicilian villagers instead of actors in La Terra Trema (1947), the drama of a poor fisherman's family. In Rocco and His Brothers (1960), he described the brutalizing of a farm family moving north to Milan. Visconti's later works tended toward operatic...

Author: /time Magazine | Title: Milestones, Mar. 29, 1976 | 3/29/1976 | See Source »

...Great Prince. Currently, Giannini can also be cast down about work just completed (the starring role in the new Luchino Visconti film) and jobs offered, including several from Hollywood that tempt him because "my nature is to court glory or invite disaster...

Author: /time Magazine | Title: Show Business: The Irresistible Force and the Immutable Object | 2/16/1976 | See Source »

...vita turned really dolce for Marisa in 1971, when Luchino Visconti signed her for her first film as the elegant young mother in Death in Venice. Bob Fosse then hired her to play the German-Jewish department store heiress in Cabaret. Both parts required Marisa to appear both remote and vulnerable. She is very good...

Author: /time Magazine | Title: Cinema: Girl from a Private World | 12/15/1975 | See Source »

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