Word: vishwavidhaata
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Dates: during 2004-2004
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Soon Rahman added commissions for Hindi (Bollywood) films to his workload. In songs for Ratnam's Bombay and Dil Se, and for the Hindi films Vishwavidhaata, Taal and Lagaan, he created a body of work unparalleled, at least in the '90s, for ravishing melodic ingenuity. "I wanted to produce film songs," he says, "that go beyond language or culture." They went beyond India too. As Western film cultists discovered India's pop cinema, they realized that along with the ferocious emoting and delirious dances, there was a master composer--the man Indians call the Mozart of Madras...
...work became "a little repetitive and monotonous" with the spate of commissions that followed Roja. Composing for 50 movie scores and more than 200 songs will sap any man. But each film contains a sprig, often a full bouquet, of musical inspiration. The terminally goofy plastic-surgery movie Vishwavidhaata boasts a ravishing number, Kal Nahin Tha, with the vocalist Sujatha whispering, then warbling her heart out. Taal birthed two instant classics, Ishq Bina and Nahin Samne, both of which Rahman would adopt as signature ballads for Andrew Lloyd Webber's musical Bombay Dreams...
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