Word: visional
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Dates: during 1960-1969
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...sharp, funny one-act play, written by Slawomir Mrozek and translated from Polish, Charlie deals with three characters and one problem. The characters are an oculist of rather flexible moral convictions (Paul Benedict), an old man with a loaded gun and bad vision (Edward Finnegan), and his solicitous, direct grandson (Richard Shepard). These last two are country people, and they see the problem as a simple one: Grandpa wishes to kill something named "Charlie"; he needs some glasses to recognize him. The doctor has difficulty understanding, though...
...deep. The result often produces a psychological study in depth that eludes even the roving camera's eye. Or, in the instance of Raphael Soyer's Homage to Thomas Eakins (opposite), it can bring to life a whole galaxy of familiar figures, bound together by the unifying vision of one man who knew and admired them...
...dominate a wall as do the Met's three restored portraits in Spanish costumes. El Greco's alabaster Cardinal Niño de Guevara glowers within sight of the Spanish master's only landscape, View of Toledo, and his last great commission, St. John's Vision. In adjacent quarters Poussin's Sabine women are abducted in the passionless postures of French neoclassic actors. Through another doorway the visitor is delivered into 18th century England, attended by four Gainsboroughs, three Reynolds portraits, a Romney, and a dozen other chamois-cheeked countenances that peer down, mellow within...
...Creative Person, a National Educational Television series aimed at elucidating the thesis: "The creative person has a special gift: his private vision of the world." The cycle of half-hour programs has already premiered over 20 of the U.S.'s largest NET channels, will eventually be carried by all 90 of them. The opener, "A James Thurber's-Eye View of Men, Women and Less Alarming Creatures," was a resourceful, rousing revue adapted from the author's work. This week's show focuses fascinatingly on Household Poet-Critic John Ciardi; among its vignettes: a sound track...
...this abrupt shift of mood, what began as a polished Gallic satire of bourgeois sex and morality suddenly becomes inflamed with black Spanish fury. Director Luis Buñuel (The Exterminating Angel, Viridiana) is the powerful talent whose vision dominates this corrosive, meticulously detailed film based on the 1900 novel by Octave Mirbeau. Buñuel resets the story in the 1920s and tips Mirbeau's well-aimed shafts with poison. But in the end, Diary seems inconclusive, a series of vivid sketches only partially held together by Buñuel's enlightened misanthropy...