Word: visional
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Dates: during 1960-1969
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...Laird's specific reforms will work remains to be seen. If he seems to lack startling imagination and grand vision, he also appears to be genuinely searching for new approaches and to be reluctant to make radical changes until the research is in. For all his old reputation as a hard-liner?and Nixon's for that matter?the Administration is picking its way cautiously toward what is shaping up to be a less bloated, more efficient military apparatus and a more modest commitment overseas. Politics? Of course. Good politics and good policy are not, after all, mutually exclusive...
...Greene's favorites. The shape of villainy, the sense of impending doom soon intrude. Captain Gilson's book was dominated by a bad "Yankee pirate with an aeroplane like a box kite and bombs the size of tennis balls." The Viper, he admits, gave him a permanent vision of "perfect evil walking the world where perfect good can never walk again, and only the pendulum ensures that after all in the end justice is done." It was Miss Bowen too, apparently, who seduced him into writing. "One could not read her," he remembers, "without believing that to write...
Hillaby is, in fact, less a misfortune hunter than a celebrator of individuality. Slogging along at a rate of 20 miles or so a day, he achieved an extraordinary vision of a piebald Britain steadfastly conserving regional idiosyncrasies. He found Scottish Lowlanders employing litigation as a modern substitute for clan feuds, Welshmen thinking more about "minstrels, ash trees and scansion" than anything else, Cornish gypsies habitually "poovin' the grays" (pasturing their horses at night in somebody else's field). At the Hare and Hounds in Chip-shop, Devon, the customers like to sing hymns while they drink...
...body of a dead hunter to his long-prepared grave, and the last movement alternates between heaven and ell, using themes from the first movement once more. This complexity of image and response reappears in every succeeding symphony: the Resurrection, for example, is a vast poem of death, vision of refracted horrors, moments of vernal consolation, primeval light, and a personal belief in redemption. Each symphony is an agon, so to speak, involving malaise and piety, desolation and transfiguration, the spectral and the immaculate, almost always ending in the reassertion of the nobility of the human spirit and the inextinguishable...
Maler's interior drama of moral doubt and artistic self-sufficiency; is generosity and prophetic vision of the turbulent future of is art; his merciless self-criticism but genial kindness; is assimilation of nature's pulse as his own; his personal faith which will forever remain incomprehensible to us, which means we shall never be able to fashion him in our own image; his quintessential humanistic compassion, can all be felting a moving anecdote concerning him and the aged Brahms. Mahler and Brahms were walking at Bad Ischl. They came to a bridge and stood silently gazing at the foaming...