Word: visional
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Richards opens the issue, and with anecdotes of a pristine Cambridge and Mao's China he poses the tension between nostalgic tradition and contemporary urgency that finds its way into most of the magazine. His sheer good sense and faith in man is refreshing in an age of apocalyptic vision: "What I feel is that if there is a way of doing things which is obviously much better than what anyone else has no offer then, in a bad enough emergency, everyone will jump at it." And he defines what man must do to escape-he must find and learn...
...American romantics of the '60s shared with their forerunners a vision of profound, if unspecific change that would regenerate mankind. In urging the abolition of the common law in England and the repudiation of the national debt, Percy Bysshe Shelley, according to Historian Crane Brinton, "saw nothing between himself and his dream." A poetic-minded radical of the '60s, Carl Oglesby, described the comparable Utopian stance of today's revolutionary: "Perhaps he has no choice and he is pure fatality: perhaps there is no fatality and he is pure will. His position may be invincible, absurd, both...
...inventing this super-hero Lang created an adventure film whose marvels illustrated a deep and true vision of life. He refused to people Dr. Mabuse, the Gambler (1922) with the cardboard Bonds and Flints of today's adventure fantasies. Every character is a complex personality. In one gambling house de Witt, hunting "the Great Unknown," is distracted by the sight of an extraordinary woman, the Countess Tolst. He leaves the card table to walk to the couch on which she reposes. In two minutes Lang gives us her soul. We see no shallow temptress, no abstract sentimental heroine. The countess...
Audubon: A Vision is the mature fruit of Warren's triple poetic preoccupation-and a little masterpiece. In it Warren defiantly turns his back on this grubby century, on what he calls this "moment of mania," and plunges back into the wilderness-America's Garden of Eden-to retell a primal myth. In a sequel of seven comparatively short poems, he takes Naturalist and Bird Painter John James Audubon as a kind of frontier Adam, sketching in his 19th century life as a drama of innocence, guilt and final redemption...
...embracing fraternity of failure, Audubon in some sense shares their guilt and their punishment. Now as reconciled to man as he has all along been to nature, Audubon goes on to his own fulfillment, to his "glory"-a favorite Warren word. Truly "Westward and fabulous," the painter's vision is shadowed only by the poet's darkly romantic hindsight on what was to follow: the Civil War and that other bugaboo of the Southern soul, industrialization...