Word: visional
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Oran, Algeria--the home of Albert Camus--where his parents emigrated from Germany in the early thirties to escape the Nazis. In 1949, when his father is still employed as a building superintendent. An immigrant living in New York City, Flym fell for some sort of Jeffersonian agrarian vision--he decided he wanted to be a dairy farmer. "I found the concept of a farmer's life appealing," he says...
PLAY IT AGAIN, SAM. Woody Allen stars in his own play about a young man who is rejected by girls even in his fantasies. Though the play does not properly progress along with the evening, Allen's nimble jokes and kooky angle of vision are amusement enough...
Invitation to Type-Casting. The making begins with an arbitrary definition: a person possessing 10% or less of normal vision is legally blind; with anything more than that, he merely has "a difficulty seeing." Scott contends that with most agencies this definition is an invitation to relentless typecasting. "A client's request for help with a reading problem produces a recommendation for a comprehensive psychological workup. Inquiries regarding financial or medical aid may elicit the suggestion that he enroll in a complicated long-term program of testing and training. He may be expected to learn Braille, even though special...
...pursuit of butterflies and poetic perceptions provided Nabokov with a conception central to his existence?of art and science seen not as antagonists but as allies in capturing and celebrating the delightful, eccentric and always individual surfaces of life. Yet his feeling at times encompasses an almost mystic vision of beatitude. "This is ecstasy," he once wrote about standing alone in green woods among rare butterflies. "Behind the ecstasy is something else which is hard to explain. It is like a momentary vacuum into which rushes all that I love. A sense of oneness with sun and stone. A thrill...
Perhaps from disdain, perhaps from a remove of age and philosophy, Jancso never ties his story or his sympathies to any main character. To him, all the high cheekbones and fierce mustaches, all the tired, tragic faces are one. The viewer must be content (or disturbed) with a vision trained on people but not on persons. Though Jancso is sometimes eclectic, he borrows only from the best, from the wintry compositions of Ingmar Bergman or from Goya's acid Disasters of War. At his most original, the director resembles neither film maker nor painter. In his own deep-dimensioned...