Word: visional
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Dates: during 1960-1969
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Shakespeare has spent much time visiting USIA branches, where staffers have been impressed by his enthusiasm and energy. But in some areas, his tunnel-vision partisanship has caused friction, especially since many of the 10,000 members of USIA are liberal Democrats left over from former Administrations. The widely respected information officer in one Communist country was replaced for being too much the scholarly diplomat and not enough the activist type. The editor of an intellectual journal was warned to abandon his "terrific liberal bias." Grumbled one veteran from the Democratic years: "Shakespeare wants gung-ho Kiwanis boosters in Communist...
...consciousness that now enables him to experience the same kinds of perception via pure meditation. But his fellow Austrian, Friedrich Hundertwasser, found his own experience with drugs as a youth in Paris frightening, and is adamant in rejecting them. "Look at Venice," he says. "This city appears like a vision contrived under drug influence. Yet had its builders been drug eaters, they would have never managed the energy to build it. They would have merely dreamed about the city, and would have remained idle on their mud flats...
From an entry of April. 1942 is the vision of a nightmare where "the world grows immense. a chamber of horrors. a tortured world." Another, from the year before, notes that Citizen Kane "magnifies a thousand times the drama of emptiness." A letter from Miller in Hollywood complains that "people are poor in spirit, low, mean, envious." Everywhere is the sense of chaos, of a suffocating cosmos. What is most remarkable about the Diary is its evocation of an age: Miller, Eugene O'Neill, the moribund Kenneth Patchen: they move like ghosts through the long years of the War. animated...
Despite differences in content. Griffith's dramatic vision agrees intriguingly with Hawthorne's. He uses apparently straight moral romances to express unsettling notions of behavior. Characters embody not simple virtues and vices, but complex obsessions: the marquis of Orphans of the Storm personifies the insanity of decadence as surely as Hawthorne's Chillingworth contains the full perversity of hellish guilt. At the roots of his complex plot construction lie details quite at odds with the pure sentiments to which his characters aspire. His films form an elaborate psychological autobiography through the diverse characters between whom they alternate...
...making. Feeling less effete than I have in a long time. I walked into the Advocate sanctum after the meeting had ended and everyone had departed, traces of the carnage of Saturday night's Brautigan reception still heavy in the air. Fled for awhile at least that old vision; born at last I think...