Word: visional
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Dates: during 1960-1969
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...whatsoever to world cinema. The prime mover in Demy's light-struck multi-color Disneyland is coincidence, a capricious often fascinating quality, granted, but not one of your big themes--hardly an equivalent to Resnais's concern with time or Lang's with fate. Demy's constructs lack true vision, instead wallow joyously in the mechanical: lovers wander marionette-like (often singing) looking for their true loves, forced by Demy to miss one another by seconds until the romantic pay-off at the finale...
...White Sale is in no sense didactic, and the ironies which arise out of the juxtapositions of its sequences have nothing to do with simple undercutting. For White Sale, irony becomes an instrument of investigation, not a tool of argument. And it is through irony that White Sale's vision of Cambridge, as a unique state of mind and as a microcosm of American society, is exposed. The primary irony is, after all, the conception itself. A show which propels an audience from the insular range of Cambridge to the vast expanses of history and world politics, only to pull...
...actual life of the book seems to me not in its thesis about the withdrawal of God, but in its repulsive vision of the absence of love and grace from human relations. Unfortunately the thesis seems to crush the book's main character, to drain the life from him. Piet is, supposedly, the scapegoat of the couples. And it is the group's judgment that Piet was used by Foxy in order to discard her cold-fish husband. But to see him as a scapegoat is to accept him as will less--and so the author seems to have viewed...
...equilibrium. The teenage scientist of In Time Which Made a Monkey of Us All prankishly pipes non-toxic gas into neighborhood apartments, only to kill off all the animals in his father's pet shop. Still, such trials can end with severe sentences. The deserted mother's vision of her husband's eventual return is affecting because it seems so hopeless. The teenager, unable to face the consequences of his experiment, goes mad and leaves his father to die of old age and grief...
...Yakutis as Cleopatra. Seltzer's performance is especially impressive: not only are his readings rapid and controlled, but he succeeds in underplaying effectively a role which would tempt any actor to bravado. As the ultimate embodiment of the Shavian pragmatic, democratic, sympathetic Superman, he also manages to convey a vision of humility in majesty. Further, his discipline deserves to underline the character's moments of wit and emotion, and to set the lonely Caesar apart from the more broadly drawn figures who surround him. The greatest virtues of the performance are, however, confined largely to scenes of dialogue. In Caesar...