Word: visione
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...might think that the Vision Lab works on the software more than the hardware,” says Patrick Cavanagh, Professor of Psychology and Co-Director of the lab. Diverging from Livingstone’s approach, which Cavanagh relates to disassembling an Xbox to figure out what’s going on inside, the Vision Sciences Laboratory conducts tests on individual subjects in order to ascertain when and how their powers of perception fall short. By presenting subjects with pictures, actions, and events, the researchers hone in—be it through brain scanning or more simple tests of visual...
...these very rules in order to replicate them in their works. And their comprehension of the weak points in human visual perception has become a boon to modern researchers. “You can figure out from artists and what they do just what the simple rules of vision are,” Cavanagh says. “And that’s a real advantage, it’s like lots of research done for free...
Despite even these gravest of doubts, Fehrenbach admits that in certain areas the approaches taken by Cavanagh, Livingstone, and the Vision Sciences Laboratory in the interpretation of artworks could be a fertile foundation for greater understanding. These areas, however, are not particularly numerous; nor do they initially seem to offer the same boundless opportunity that researchers like Cavanagh envision in the confluence between art history and the science of perception...
...spacecraft, none have been tested and deemed ready for flight. Expanding access to space and engaging private enterprise is a worthy project, but this untested path should not be America’s only means of sending humans to space. There are also no funds to support a vision for space travel beyond the five to ten years of “life” left in the ISS. We should reconsider whether or not we want to forfeit America’s leadership in space exploration...
According to psychoanalytic film critics, violence is a characteristic trait of photography and cinema, as evident in the very language of “aiming” a camera and “shooting” an image. Enmeshed in the sexual economy of the gaze, vision too exercises a system of control over women’s bodies. Positioning the self against an inassimilable (female) other, the eye serves as an explicit instrument of objectification and mastery. As feminist Luce Irigaray theorizes, the supremacy of looking over all other sensory experiences—hearing, smelling, tasting, touching?...