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...turtles casually munching on deadly poisonous jellyfish are viewed through a mask, in the dark; scuba divers see the ocean the same way. 3-D filmmakers have found that objects moving quickly across the screen can make viewers nauseous, but having anything move quickly into your field of vision in the water is startling. Mostly the technology succeeds, however, not because it makes you feel you're underwater so much as that you're no longer on solid ground. At several points, you almost want to hold your breath. (See photos of life beneath Antarctic...

Author: /time Magazine | Title: Under the Sea: Fish Tales in 3-D | 2/13/2009 | See Source »

...encyclopedia of superstition and folklore notes that, if you look down a well on Valentine’s Day, you may see the face of your sweetheart. In Cambridge, where wells are hard to come by, the vision is likelier to appear in a frigid puddle of slush. There you might catch a glimpse of the distressed face of your date as he or she contemplates the next block’s worth of sidewalk acrobatics...

Author: By Shai D. Bronshtein, Alexander R. Konrad, and Garrett G.D. Nelson | Title: Annotations: Valentine's Day | 2/13/2009 | See Source »

...21ST CENTURY VISION...

Author: By June Q. Wu and Helen X. Yang, CRIMSON STAFF WRITERSS | Title: Cramped Spaces Burden HSPH | 2/13/2009 | See Source »

...audience last weekend received full enlightenment from the artist himself. Jacobs identified “Window” as an example of the unedited “jazz” thinking, which results in a film based solely on its aesthetic qualities. Jacobs explained this focus on his vision, citing 20th century artists such as Picasso and Warhol as part of his inspiration. The 8mm used in “Window” flattens the screen and makes the image look like a grainy, flat canvas. He believes this piece emulates the medium of painting.“This film...

Author: By Noël D. Barlow, CRIMSON STAFF WRITER | Title: Jacobs Transcends 2-D | 2/12/2009 | See Source »

...Termite is being born in America. He has been shot in the spine and is dying in an underground tunnel, and his final thoughts are beautiful in their own respect. But his story serves only to explain Termite’s condition, as Leavitt’s dying vision becomes the telepathic stimulus for the images Termite draws. Termite’s back story gives him a sort of religious aura, the potency of which is explicated (and thereby diminished) when Lark says straight out, “From the beginning, I confused him with an angel, a good part...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: Sound and Fury, Signifying Nothing | 2/12/2009 | See Source »

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