Word: visioning
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...decades following the Second World War marked the beginning of a distinct cultural epoch on the continent. The 50s and 60s brought a generation of cinematic geniuses like Ingmar Bergman, Jean-Luc Godard, and Federico Fellini to light, along with a diverse set of styles whose ambition and vision are still tremendously influential. But the future of filmmaking in Europe was not so bright, nor its future so clear, in the last days of the war. By 1945, the national film industries that hadn’t been hijacked for propaganda purposes had been destroyed, and with the continent...
...could only happen here.” Before earning his position at the Philharmonic, Gilbert conducted symphonies in Cincinnati, Santa Fe, and Stockholm. One audience member asked him for his opinion of the state of arts in America today, and as part of his response, he articulated his vision for what artists in the public sphere can do for the greater community in which they reside. “I want the New York Philharmonic to be more than an orchestra that happens to be in New York. I want the New York Philharmonic to mean something...
...it’s a lot of brainwork. When I’m working on Balanchine, the stagers and ballet masters tell me, for example, “Use your hips more,” but I know now what the Balanchine ballets should look like, I have the vision, the image. THC: What is your work and thought process like when you prepare roles?MK: For Jewels, I watched Patricia McBride on tape. I usually watch it a couple of times so that I can have some idea of how the original cast...
...which art is dependent on its patrons. Economy is inherently necessary to support the creation of art. Video game music composition, perhaps more than any other genre, struggles with the stigma of being a monetized art form—one which caters exclusively to a client’s vision rather than the artist’s. This deeply engrained Romantic model of the artist and his muse might result in a public reluctance to accept video game music as a worthy pursuit.“There’s a degree of compromise there, and I think anyone...
...numbing pretension. Yet on the next page itself she writes of “souls of cork,” an utterly needless use of the same conceit. It is shame that all of this obscures the collection’s strengths. Chief among these is its unity of vision, its continual concern with the similarity of human life to animal life, of our continuity with our animal ancestors. Not only is this a unique and compelling theme for a book of poetry, it also provides a framework in which the poet’s less outlandish imagery...