Word: visioning
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President Bashir: We came to power we had a clear vision about the problems facing the country. Therefore we had a clear vision of how to manage this country with its immense problems, the ones you mentioned, and we continue to face new problems. We have programs, qualified personnel, and a strong and solid internal organization that is able to face and address different issues...
Even more impressive is the way this feature-film novice director sells his vision of Johannesburg as a dusty sump hole, a place of sapping heat and blinding glare. The creatures aren't caressed with the moody lighting of most monster films; by sticking them out in the sun, Blomkamp demystifies them and shows off their CGI sophistication. (Virtually all the aliens were created digitally; he used very few puppets.) "I wanted the image to feel incredibly raw and unmanipulated," he says, "almost like it came straight from the camera sensors right onto the screen. So instead of setting...
...those observers do not tend to be Republicans, much less the conservative partisans who tend to dominate closed Republican primaries. They've got a different vision for the party's future, and it looks more like Crist's 38-year-old Cuban-American primary challenger, Marco Rubio, a dynamic and telegenic ideologue who was the first minority speaker of the Florida house of representatives and is now described by fluttery admirers as an Obama of the right. He's a passionate defender of traditional Republican principles and wasn't part of the generation of Republican leaders who betrayed them...
Still, Murdoch has shown himself more than willing to lose staggering amounts of money and engage in litigation in order to see his vision through or lay siege to his competitors. Sometimes his aggressive moves pay off (as in British pay cable operator BskyB) and sometimes they don't (as in TV Guide). Plus, with his cable operations showing robust growth, he has a cushion that few of his newspaper competitors possess...
...literature. Writers have become obsessed with the city, not simply as a setting for their narratives or to detail its wonders, but because they can use the city as a metaphor for issues of humanity, the arts, the past. These authors have not allowed the cheery, glossed-over tourist vision to take hold, but have always seen a darker side of the city: a once powerful trade and cultural capital transformed into a sinking, aesthetic skeleton. For Balzac, it was the perfect frame for a Prince with only a title and no wealth; for Mann, it allowed for the exploration...