Word: visitores
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...bill in the empty Kleenex box he keeps on the ground.Most pedestrians rush by, but a few tourists congregate beside him, listening.“I don’t like the sound of it. It’s very freaky,” says Eduardo B. Alonso, a visitor from Spain. “The sound is very....” Alonso pauses, unable to describe the sound. After a pause, he makes a chopping motion in the air with his hands while making a whirring noise. “That’s what’s it?...
...Sensorium”, participants are immediately transported into a futuristic world. French artist Matthieu Briand’s “UBIQ, a Mental Odyssey” transforms the gallery entrance into a spaceship based on the movie “2001: A Space Odyssey.” Visitors are then asked to wear a tan wireless viewing device that changes the view to what one of the three other participants is looking at, making the perception of the exhibition gallery into a shared reality. Moving along, the gallery walls are painted a dull shade of white, bare except...
...here very soon after his public service,” Shaheen said. “He was involved in much of the more visible policies of the Bush administration.” She also noted that as a speechwriter and very recent staff member, Gerson is the kind of visitor who piques student interest. Caleb L. Weatherl ’10, who attended five events with Gerson yesterday and Monday concurred with Shaheen. “It’s incredible, it’s one of those ‘only at Harvard’ moments...
...Angeles. Even typical Ballard tales, like Cocaine Nights (1996) or Super-Cannes (2000), are not exactly walks in the high-tech research park. Those two hot-selling thrillers were set in, respectively, a Spanish resort community and a leafy French office campus. In both, a clueless visitor tries to unravel a shocking crime, eventually discovering that the stress and boredom of these ostensible Edens have driven their denizens to violent excess. Ballard has seen the enemy and he is us, at our worst. As a slightly less pessimistic British writer, Martin Amis, has observed: "Ballard is quite unlike anyone else...
...static shot, employing live-action but preserving photographic boundaries. At first glance, it may be easy to dismiss Lockhart’s films as uninvolved, as not much “happens.” “What is this?” whispered a middle-aged visitor to her husband, as the two sat in an in-gallery screening room, “Kids just sitting around smoking?” Only a handful of the 12 films have any discernible “plot,” but Lockhart’s films transcend this particular convention...