Word: vissi
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...Hungarian baritone ``Fodor Szedan'' as her nemesis, Baron Scarpia. A much-brandished leg joint of a roast pig, a servant with an infectious body twitch and the wicked baron's narcolepsy (which becomes most pronounced during the heroine's stupendous singing of the work's signature aria Vissi d'arte) all figure heavily in a send-up that shatters every cliche in the trunk. Opera buffs can delight in spotting references to great, legitimate performances--from Tosca's tigerish poses a la Maria Callas to Cavaradossi's Castilian lisp, a dig at Spanish tenor Jose Carreras...
...Hungarian baritone "Fodor Szedan" as her nemesis, Baron Scarpia. A much- brandished leg joint of a roast pig, a servant with an infectious body twitch and the wicked baron's narcolepsy (which becomes most pronounced during the heroine's stupendous singing of the work's signature aria Vissi d'arte) all figure heavily in a send-up that shatters every cliche in the trunk. Opera buffs can delight in spotting references to great, legitimate performances -- from Tosca's tigerish poses a la Maria Callas to Cavaradossi's Castilian lisp, a dig at Spanish tenor Jose Carreras...
...acting, the Austrian-born singer began her ascent to stardom in 1912, when the Emperor Franz Josef invited her to join the Vienna Royal Opera. At the Metropolitan Opera, where she sang from 1921 to 1932, the director reported that the largest ovation he had ever heard followed her "Vissi d'arte, "the great second-act aria in Tosca; she sang it prostrate on the floor. A tempestuous diva onstage and off, Jeritza gathered three husbands, prompted whispers of affairs with composers and feuded audaciously with tenors and other sopranos...
...standing ovations before, between and after her splendid performances of Pace, pace from Verdi's La Forza del Destino and He's Got the Whole World in His Hands. Price knew her audience, and knew it was not to be patronized. Announcing her encore, Vissi d'arte from Puccini's Tosca, she was engulfed by cheers of recognition. The program then moved from Tosca to toe-tapping, as Gospel Superstar Betty Perkins swept onstage and picked up a microphone. The Philharmonic percussion section laid down a heavy beat, and Perkins brought the evening to a bluesy...
...having to sit through hours of music they don't really enjoy. Some come as cultists: just as bullfight aficionados find macabre joy in waiting for the matador to be gored, operagoers can wait in horrible human fascination for the soprano to go flat at the end of Vissi d'arte or to fall downstairs in the mad scene of Lucia. In its own way, by the nearly impossible demands it makes on singers, opera, like the corrida, pits man against nature...